URBAN ENVIROMENTAL SPEEDY INTERACTION SEQUENCES

a No Dance Dance project

Movement paused on positions

Positions by process of a trajectory

becoming pose, repetition and difference

a dance of the pose and the captured seconds

posing by the building I fear and love

Inside huge Ivy arches

Like ancient coffins containers

Found Sculptures which to activate

by detour and misuse

so many possible existing body exercises,

coded and decoded

eternal production of shapes containing

all of the whole history of movement ,

all expelled , devoid and trimmed down to zero

in the territories of a body , at the subjectivity of stillness

at the bottom of the towers where nothing but the cube is

welcomed.

Urban filaments, an encounter at  a zone and

an area where a contingent has taken place , the

composition of the proportioned cubes and squares

mounted on to each other, the wild growth of the ivy

and the presence of the body that echoes both:

the basic equation and encounter of numbers intended

at the reproduction of the same

Interrupted, stillness,a body placed against the grain of time

stasis feeding a movement awaking from a control delusion

algebraic character and mathematical rigour trying to find forms

that could still hold a transfusion of the visual in to the corporeal

in situ at the present tense at the reduced instants.

A pause and a pose that prolongs its timing
that tries to inhabit a sort of lapses a quietness of the essential
against the super dance the super gestures and its excess
at display an attempt to extract from instantaneity
a form of preserving the singularity of  its existence