tag:blogger.com,1999:blog-91315925530844102322024-02-06T18:34:59.118-08:00Esther Planas Balduzdata - images - text - archives - projects - works - Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.comBlogger55125truetag:blogger.com,1999:blog-9131592553084410232.post-72712868203276718602016-03-02T07:47:00.000-08:002023-03-29T06:13:32.563-07:00Barcelona Spirit stills live inside the damp small streets and Absinth scent<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsSMHu2MBqJOI8_PXhFPnYsh4Fpzq3hTFylbQxGQPabxtauPZBZEShaeVv4VpbZ5fCSaBFWjj4Dt3H4TiG133Zaen488SeKzavIKnCb-KlDU0Z7jipYmJaYGS5HMi9I3YZxk-oNkaWiO2X/s1600-h/yopp99-005.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330062013542978242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsSMHu2MBqJOI8_PXhFPnYsh4Fpzq3hTFylbQxGQPabxtauPZBZEShaeVv4VpbZ5fCSaBFWjj4Dt3H4TiG133Zaen488SeKzavIKnCb-KlDU0Z7jipYmJaYGS5HMi9I3YZxk-oNkaWiO2X/s320/yopp99-005.jpg" style="cursor: pointer; display: block; height: 260px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizmx5ackwqx-XQQpkbo5eQxTphKoRH1UPaev2Z5kVkr5X3ma-sIPmvMby6zft4A4FplzDca3_Rdb7ZH900Pb9k3P-B06Iy6dye3mP4zaJu8DwvJMg1befZjs5p08nMsg-vl9n0XRVyWq-5/s1600-h/yopp02-024.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" height="430" id="BLOGGER_PHOTO_ID_5330062008413487186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizmx5ackwqx-XQQpkbo5eQxTphKoRH1UPaev2Z5kVkr5X3ma-sIPmvMby6zft4A4FplzDca3_Rdb7ZH900Pb9k3P-B06Iy6dye3mP4zaJu8DwvJMg1befZjs5p08nMsg-vl9n0XRVyWq-5/s640/yopp02-024.jpg" style="display: block; height: 202px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; margin: 0px auto 10px; text-align: center; width: 300px;" width="640" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3gXkNpvXmYpReKvPS-aPu7Vs014kxVX1LjHitRZ7dy0codqtoW60ntwX-Lj_fcq5rBRNJAFPY_tOSM7bPcZPy5rGaCGZe37YxSg3RbWDiZs8QVZTYCxe0334b_2yRh4xMfK5HAUl6UwTD/s1600-h/yopp04-017.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330060657524011746" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3gXkNpvXmYpReKvPS-aPu7Vs014kxVX1LjHitRZ7dy0codqtoW60ntwX-Lj_fcq5rBRNJAFPY_tOSM7bPcZPy5rGaCGZe37YxSg3RbWDiZs8QVZTYCxe0334b_2yRh4xMfK5HAUl6UwTD/s320/yopp04-017.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 211px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2qgIWEjhuAzxkl5NmI74iOVhq6qLmNRj64fqI95R6oT4LIpa7gih3JOM3StawMvZajiTzIo5kbMGP4wOq-JXF6NeLXpWzxw7i_mRw8mqS8xRNJkIbt7yszuApGNkUGMnvQH26qJ8_bDMX/s1600-h/yopp00-044.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330060657978897538" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2qgIWEjhuAzxkl5NmI74iOVhq6qLmNRj64fqI95R6oT4LIpa7gih3JOM3StawMvZajiTzIo5kbMGP4wOq-JXF6NeLXpWzxw7i_mRw8mqS8xRNJkIbt7yszuApGNkUGMnvQH26qJ8_bDMX/s320/yopp00-044.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 201px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB-zXjtWzRYpvA3r6x3vnrYFFWkpLdEiaEBB7kCxsK-nzhOcQuBnttvCFgb6seGbR0SQ_Ttj3VtUs7Ft1FdYWhwcby1ESwAGvk8w67ebi7bTpabKjJnrFhQIcfvVf0NAdSrYFWEl0SgPbs/s1600-h/yopp99-086.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5329384391945161234" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB-zXjtWzRYpvA3r6x3vnrYFFWkpLdEiaEBB7kCxsK-nzhOcQuBnttvCFgb6seGbR0SQ_Ttj3VtUs7Ft1FdYWhwcby1ESwAGvk8w67ebi7bTpabKjJnrFhQIcfvVf0NAdSrYFWEl0SgPbs/s320/yopp99-086.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 196px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUYKvZAQ7-xmRUEgpqIJV5058l25yzYwGtXK_M2bAm_i1LwsQ_8gkIgH2Co80Il8XJri6PsJpQMyQjqXKz3otR_vu6wStI6RUjyt2KaldbsGYTRi-EFzdrTyvVhyjM21MJvqRhTBgBzFwj/s1600-h/yopp99-160.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5329384387360889874" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUYKvZAQ7-xmRUEgpqIJV5058l25yzYwGtXK_M2bAm_i1LwsQ_8gkIgH2Co80Il8XJri6PsJpQMyQjqXKz3otR_vu6wStI6RUjyt2KaldbsGYTRi-EFzdrTyvVhyjM21MJvqRhTBgBzFwj/s320/yopp99-160.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 196px;" /></a><br />
My friend and I know this very well<div><br />
Wet sex damp street wild cats sweet-sour amber drink</div><div><br />
Drawing our life as it goes by</div><div><br />
Dying at every sketch</div><div><br />
Living not a trace but the traced left overs</div><div><br />
Of times </div><div><br /><div>that we repeat for ever</div><div><br />
We kiss drink sleep walk talk dream</div><div><br />
Here where is always obscure</div><div><br />
Where we are homeless angels<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNZSACOb3h9syXypjEk2xAUX0pI0tIjuERiUHo6H9mavkbJag2QaQKgH4XiKPsHpQPJAMswDi4QQmq0G98tiPSY_Iw7rzAsADp3jsHqSaEvu4e6xIEK8obfBR8eEBY4dh2dVikDlD3Dc2z/s1600-h/yopp99-199.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><br />
</a></div></div>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com2tag:blogger.com,1999:blog-9131592553084410232.post-89038051521627569622016-03-01T06:30:00.001-08:002023-03-29T07:00:55.039-07:00Absinthe....dawn at Barcelona dream<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidsn83Tg6jdMtIqLdfuIkYU4MgH4VmqmZYntO7lBxiW2LWRdfEDnGq0cuxk8VwS6h6h6Iq0YedB2CG_qIkxpvGbvRvdWj_1I0D_9tJXtEaEfwxN_muQ0-o3B54Nc1tlLETYc-pCu2pC5v-/s1600-h/yopp03-005.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5328195755523275538" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidsn83Tg6jdMtIqLdfuIkYU4MgH4VmqmZYntO7lBxiW2LWRdfEDnGq0cuxk8VwS6h6h6Iq0YedB2CG_qIkxpvGbvRvdWj_1I0D_9tJXtEaEfwxN_muQ0-o3B54Nc1tlLETYc-pCu2pC5v-/s320/yopp03-005.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 184px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMVGXswfH9d68voWJerDLmtj47mq5sV6Qu_D6csIcZ4ZI_K0oP10Ny3KkiZ0xEHwCWFSrH1Ejzhg-IjgflLT4kt4HL3v8hAArlAuCvqTe1vbBOFvMeG6KS1a8FD4RAzKatusMpUdMgJ2xR/s1600-h/yopp04-016.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5328195753923267794" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMVGXswfH9d68voWJerDLmtj47mq5sV6Qu_D6csIcZ4ZI_K0oP10Ny3KkiZ0xEHwCWFSrH1Ejzhg-IjgflLT4kt4HL3v8hAArlAuCvqTe1vbBOFvMeG6KS1a8FD4RAzKatusMpUdMgJ2xR/s320/yopp04-016.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 218px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYo-4g8SuUOivu0BUnqFN2xrbCodbNbIhpZfy0Jx1uWv0u-fgtKtSubHMZfBfipJIYXWIXA6s4W_Bg1wDfBxlnruld8xIK3RrLIRLwpfFsq3hzPoPjIb2zhqKfx_AnA0oNGx6WjiaWqC4L/s1600-h/yopp02-013.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5328195753676574114" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYo-4g8SuUOivu0BUnqFN2xrbCodbNbIhpZfy0Jx1uWv0u-fgtKtSubHMZfBfipJIYXWIXA6s4W_Bg1wDfBxlnruld8xIK3RrLIRLwpfFsq3hzPoPjIb2zhqKfx_AnA0oNGx6WjiaWqC4L/s320/yopp02-013.jpg" style="cursor: pointer; display: block; height: 231px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOdS4WSjk656P41iPK0ihjlbxCWWUEJ45YOnmpR4XqkqsubagafW-jfQK6IF72dcn3QcYYBTkwbXkzjAB99n_cd2YQaOD37ANtUwptxNGpxrOYZ-qOr7tCyw3WagD1mGwCvlhq21_viqXb/s1600-h/yopp00-011.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5328195748087747474" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOdS4WSjk656P41iPK0ihjlbxCWWUEJ45YOnmpR4XqkqsubagafW-jfQK6IF72dcn3QcYYBTkwbXkzjAB99n_cd2YQaOD37ANtUwptxNGpxrOYZ-qOr7tCyw3WagD1mGwCvlhq21_viqXb/s320/yopp00-011.jpg" style="cursor: pointer; display: block; height: 192px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXHx9Z9-woUUP8dXEx1Cqe91oVapjiQnvNTRMRUm9cFAkpiF-YdpyU74e2hK5Xl7I4kkqg6Af5UTDpwnW5ad5YzQ7wZNcK7zX7oevQgiQfw6NLoxw67uh247CLdpBSDG9FNFtSqI6SPB-A/s1600-h/yopp03-004.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5327855494023384818" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXHx9Z9-woUUP8dXEx1Cqe91oVapjiQnvNTRMRUm9cFAkpiF-YdpyU74e2hK5Xl7I4kkqg6Af5UTDpwnW5ad5YzQ7wZNcK7zX7oevQgiQfw6NLoxw67uh247CLdpBSDG9FNFtSqI6SPB-A/s320/yopp03-004.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 220px;" /></a><br />
After loving you all night<br />
and looking at how your spirit could fly like a bird<br />
asleep<br />
I left that room<br />
The streets were fresh and empty<br />
blue blue blue<br />
sky soft<br />
like redemption and sunny shades<br />
open balconies and dark wet pavements<br />
still my mouth full of your kisses<br />
my head floating with that green drinks<br />
smelling of still yet unwashed sex<br />and going back to my own solitary bedEsther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-52642105844036227922016-02-29T16:10:00.001-08:002023-03-29T06:44:50.737-07:00This times when in Barcelona you and i used to live<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0LNm9zKIq1IWH21RG8ZiuBALl3ePXkoTKgrl1AeK7gBpUR2UilmImYRzKWyYf_qcMQtS0kYF7dtLrX2LOr1J1KhOPZI2gln8N98mgYi1hP3H642-L_3PcN2Dry__58VRYcyG206xCuJOu/s1600-h/yopp04-085.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330070401640013314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0LNm9zKIq1IWH21RG8ZiuBALl3ePXkoTKgrl1AeK7gBpUR2UilmImYRzKWyYf_qcMQtS0kYF7dtLrX2LOr1J1KhOPZI2gln8N98mgYi1hP3H642-L_3PcN2Dry__58VRYcyG206xCuJOu/s320/yopp04-085.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 199px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYrvaWnMrM4Iyh7t-uXsjsDtjjBKVLrWD8NnXEH9KVYjAaCYFtV-xIvLhF-DnMQy3FTRinm3uVatjSwUdKeZSSNCQU5cy6bMsmcuHObV5VFJz7WaBxGd3aHdTpMi1jI075G35Uti3zXaaH/s1600-h/yopp99-003.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330070401707007266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYrvaWnMrM4Iyh7t-uXsjsDtjjBKVLrWD8NnXEH9KVYjAaCYFtV-xIvLhF-DnMQy3FTRinm3uVatjSwUdKeZSSNCQU5cy6bMsmcuHObV5VFJz7WaBxGd3aHdTpMi1jI075G35Uti3zXaaH/s320/yopp99-003.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 228px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLvK6HMuRxZwjggjfF4XT6kVJhi-JghN2ao4YLzh9SdYe7S57JMtggr4e3I7lgnWQ9N7hI3NQ2Gst_WO6jksPmOkGA4-GlooIjseN00W8REh_Pnjxi-cJEEyhR4PTDTabzYP6-XTM6IRIu/s1600-h/yopp99-006.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330070401707441554" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLvK6HMuRxZwjggjfF4XT6kVJhi-JghN2ao4YLzh9SdYe7S57JMtggr4e3I7lgnWQ9N7hI3NQ2Gst_WO6jksPmOkGA4-GlooIjseN00W8REh_Pnjxi-cJEEyhR4PTDTabzYP6-XTM6IRIu/s320/yopp99-006.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 188px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeHuLQwTTBVDnkgPzfy-vNYIgaM5t0VK1eqQLXI4hvIrN4dTH7oClJIK_44XA06IE5auokZKEm_meZvjNlYW-fLPv9m_yrBTj0bJUnJm4GrpjqOeOiLtlwtXSASOB-JPAnSeKGALXoGgOz/s1600-h/yopp04-014.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330069403732821202" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeHuLQwTTBVDnkgPzfy-vNYIgaM5t0VK1eqQLXI4hvIrN4dTH7oClJIK_44XA06IE5auokZKEm_meZvjNlYW-fLPv9m_yrBTj0bJUnJm4GrpjqOeOiLtlwtXSASOB-JPAnSeKGALXoGgOz/s320/yopp04-014.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 205px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVxxiUgOGuu4c35mmNCdmShsdtHkfd19P5wxhTD8ULjvpghHNtkvAeQT5Pfa1FWv4H3UnkSxhW6EHj10HglV2sQ5CDfoGDTD1zQ3rTDM06bOPI1-bwKYuGoRoBJZBQYZXpyijGcq7TeQ5I/s1600-h/yopp02-056.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330069399992591490" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVxxiUgOGuu4c35mmNCdmShsdtHkfd19P5wxhTD8ULjvpghHNtkvAeQT5Pfa1FWv4H3UnkSxhW6EHj10HglV2sQ5CDfoGDTD1zQ3rTDM06bOPI1-bwKYuGoRoBJZBQYZXpyijGcq7TeQ5I/s320/yopp02-056.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 193px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiib6iiiPAAWhgi0EWWR9ipNV4GCTJBy239Nm4b-RMkDJICDbSoiVBUJ43nRrYSi5ZUzOeS1t2wxDyOFuw_lUz3MFaFElW_UCF-ma-wGuIg7If1x-H-ek7ASzFsuHxRy_YOfd8lTaMYtwNd/s1600-h/yopp01-171.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330069399986211026" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiib6iiiPAAWhgi0EWWR9ipNV4GCTJBy239Nm4b-RMkDJICDbSoiVBUJ43nRrYSi5ZUzOeS1t2wxDyOFuw_lUz3MFaFElW_UCF-ma-wGuIg7If1x-H-ek7ASzFsuHxRy_YOfd8lTaMYtwNd/s320/yopp01-171.jpg" style="cursor: pointer; display: block; height: 183px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2CkaSQd4yVb2Und9BGQDIytfRX-v44_GUW1uvYDnaOdJtyxXuXm2c_Hu-m9Y6fIhgCOQlsRJIVC0ca_-urpai5p3UeoQ9IyBNiyBlQ2Z5nG1lhpH0-PcpzNHL26F_Cy3STbXrNptDhUYp/s1600-h/yopp99-029.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330069396181503570" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2CkaSQd4yVb2Und9BGQDIytfRX-v44_GUW1uvYDnaOdJtyxXuXm2c_Hu-m9Y6fIhgCOQlsRJIVC0ca_-urpai5p3UeoQ9IyBNiyBlQ2Z5nG1lhpH0-PcpzNHL26F_Cy3STbXrNptDhUYp/s320/yopp99-029.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 198px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTNGm53CHVuzvtqLQs8TWTr5iJYcDFxSsUjYhHuuNADYP8n8o2jYe9i97CzqfdxUl_o1l3NXBjfgSmSujVOffiKRY0uZqG10YgbtnPx6GRhrIxCVyojRP1MeOOw4TQtXaej45BvJOblCXx/s1600-h/yopp99-050.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330057600586416930" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTNGm53CHVuzvtqLQs8TWTr5iJYcDFxSsUjYhHuuNADYP8n8o2jYe9i97CzqfdxUl_o1l3NXBjfgSmSujVOffiKRY0uZqG10YgbtnPx6GRhrIxCVyojRP1MeOOw4TQtXaej45BvJOblCXx/s320/yopp99-050.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 181px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiUcrOV28bafO90G_RxEBqyFZeQwTewLM7wBaiGPZ-EHlvahFC3zmwBUnjfzxtNKofSo6fV3aIN6fOjAlfjzj_H1RhiTAk5CnAksFNV_AUjlvZEv_z_zzIDZJLTSaXl9h1j9UlaZouxGdP/s1600-h/yopp99-092.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330057597421462242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiUcrOV28bafO90G_RxEBqyFZeQwTewLM7wBaiGPZ-EHlvahFC3zmwBUnjfzxtNKofSo6fV3aIN6fOjAlfjzj_H1RhiTAk5CnAksFNV_AUjlvZEv_z_zzIDZJLTSaXl9h1j9UlaZouxGdP/s320/yopp99-092.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 229px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHECuIfjvWc8Hr2dsKUgp86R9lNM-m4C-AEaWCO4G556UExRQAzhJ-rKSkOpTDFpA7yDUvjey7CoaMcIQSD0UKMU4TXGLW-qdTNEHZ_4YunT39bTGNq6rT4E7u0wdRmdeFQhcAGlmSx4ih/s1600-h/yopp99-205.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330057592841778930" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHECuIfjvWc8Hr2dsKUgp86R9lNM-m4C-AEaWCO4G556UExRQAzhJ-rKSkOpTDFpA7yDUvjey7CoaMcIQSD0UKMU4TXGLW-qdTNEHZ_4YunT39bTGNq6rT4E7u0wdRmdeFQhcAGlmSx4ih/s320/yopp99-205.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 193px;" /></a><br />
<br />
There is where I found the young friends<br />
<br />
The architecture of the first encounters with decadence<br />
characters unique in their dubious makeup old and young<br />
but very outcast drunk or stoned dark humid narrow places<br />
stinking of vomit and piss next to Pilistras and other plants<br />
out of balconies that seem caves.<div><div><br />
Buildings are almost crushing each other in the face with white<br />
sheets blowing against the other like licking dampness<br />covering the shadows of people that are coming from intense<br />
sexual encounters up there going to finally sleep at home<br />
just down there.</div><div><br />
Cats scruffy and bloody after a whole night of horny fighting<br />
The dim light on the cafe just opened and fuet hang from the walls.</div><div><br />
Dawn melting with the next Sunset between dreams.</div><div><br />
One day go to life painting classes next day just draw the<br />
last whore who was with you for free in bed because you were so young and<br />
your skin so soft.</div><div><br />
After having sex with her forever orgasms draining of your<br />fluids that kept you awake and now want you to paint it.</div><div><br />
Hours and hours hanging out with him that is your best friend<br />
talking constructing the world at your will Princes of the future down<br />these little paths of humid fresh shadows and cut-up like skylines.</div><div><br />
Green green or amber sweet-sour drink like anisette that takes your soul<br />
so far and urgently drawing with such little light and shaping faces bodies<br />
streets and the face of your friend your dear friend with whom<br />
you share dreams of traveling far and of going to Meca<br />
where more alcohol and opened women's flowers are waiting laying in<br />
velvet chaise long caressing white cats.</div><div><br />
Cabarets, cafes, the same ones every day the same route<br />
the same windows and women trapping times to keep doing it.</div><div><br />
But more drowning in drawings inks and oils different of every each one <br />
a world that only you can create can see and produce at your wish.</div></div>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-38626776744518186442016-02-29T16:03:00.002-08:002023-03-29T07:02:48.698-07:00You and I in the dark city<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5pFNroFvhrIxVf1PymXYE-ixdcZk40zRk3p-DecTChUjRAjewq9z9ZhTU_uwMWXxTWekjxMsgosVIDgwjnHrBkSCl0lNzYo-q-sUlwLRMjSxuyH96TdaojZ2Kt5AWIV2PqisRA9KzbGdA/s1600-h/yopp00-164.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332702298780674418" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5pFNroFvhrIxVf1PymXYE-ixdcZk40zRk3p-DecTChUjRAjewq9z9ZhTU_uwMWXxTWekjxMsgosVIDgwjnHrBkSCl0lNzYo-q-sUlwLRMjSxuyH96TdaojZ2Kt5AWIV2PqisRA9KzbGdA/s320/yopp00-164.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 254px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij-b_eP4UZw6AgqPSfIMgAlDPLzpeVXD0RGrp8mGShp_YJ-iCWeU6iOeIWicQUuuAyso9n8TQ5WjoHXCA7Q-_sG8rHUWKNe89S0vy8z6HU4dUyJM5gz4ReWev0DScbYwip0H_RfdOooiwr/s1600-h/yopp00-005.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332702293096257954" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij-b_eP4UZw6AgqPSfIMgAlDPLzpeVXD0RGrp8mGShp_YJ-iCWeU6iOeIWicQUuuAyso9n8TQ5WjoHXCA7Q-_sG8rHUWKNe89S0vy8z6HU4dUyJM5gz4ReWev0DScbYwip0H_RfdOooiwr/s320/yopp00-005.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 226px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinVeLE49jPSkEsXoawgcFWJT188S-6Rctn0qzlCoudkX-hJEPx6Ds4c3-v2CRWAFwhAbTvvR4SskQYqz2UYLysY6InXNjMJrHyL7FLf6wmxc3FO00gR6tuF0thJpMVhhDWSYM3N2R7nbCy/s1600-h/yopp03-007.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330065312713754450" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinVeLE49jPSkEsXoawgcFWJT188S-6Rctn0qzlCoudkX-hJEPx6Ds4c3-v2CRWAFwhAbTvvR4SskQYqz2UYLysY6InXNjMJrHyL7FLf6wmxc3FO00gR6tuF0thJpMVhhDWSYM3N2R7nbCy/s320/yopp03-007.jpg" style="cursor: pointer; display: block; height: 288px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYbbM2hhPoLOGOPHUEzliCKS0d6gyIAxLt66Mv6T8O469XpkO0orWKxe9_D9petmHrg7maKZTh76J5n3xmu3GwocKh5QevyIMj8oEe79hpNiOv92TyIFXJ-9hwHGFsFjcvND-9ue0Foc5b/s1600-h/yopp99-013.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330065313124474226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYbbM2hhPoLOGOPHUEzliCKS0d6gyIAxLt66Mv6T8O469XpkO0orWKxe9_D9petmHrg7maKZTh76J5n3xmu3GwocKh5QevyIMj8oEe79hpNiOv92TyIFXJ-9hwHGFsFjcvND-9ue0Foc5b/s320/yopp99-013.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 287px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio041VTeVTBcbMl32NH5aqCGYzO82iwKJT5R9xNny7h0cl4XM5fTNS3xF4mpjxgPL0rNinoxj0va_xa9fEq-RhQbl2JnPHoO6mEaGocPfW-4L4v5BEiZraJO3YlbZSddHxUTqa0n8ye50q/s1600-h/yopp00-029.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330065308899705266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio041VTeVTBcbMl32NH5aqCGYzO82iwKJT5R9xNny7h0cl4XM5fTNS3xF4mpjxgPL0rNinoxj0va_xa9fEq-RhQbl2JnPHoO6mEaGocPfW-4L4v5BEiZraJO3YlbZSddHxUTqa0n8ye50q/s320/yopp00-029.jpg" style="cursor: pointer; display: block; height: 209px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjddRM2W4f5XDyQH9JVqGd1acJQF9c560SNDh1p7idXYuj5jIFwpZoxhsP8Zfd1qqW2UKEcv88_7_bGkWeAB6OviX6_cv1dgMS8sgFZ8_H382VZ6n1s0ca4iKEuGtsog7oUzQ4OOXFNmusM/s1600-h/yopp00-136.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330055777324493698" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjddRM2W4f5XDyQH9JVqGd1acJQF9c560SNDh1p7idXYuj5jIFwpZoxhsP8Zfd1qqW2UKEcv88_7_bGkWeAB6OviX6_cv1dgMS8sgFZ8_H382VZ6n1s0ca4iKEuGtsog7oUzQ4OOXFNmusM/s320/yopp00-136.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 212px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiitIhv8-vHZFyt7V5Ng11IfblGMjcwxDqaJIeGGblZP5qNDmhCJZP21FYDpnKUuTdDEI4shKBwlH1wblDvWQEMUZu2-sS3oPqoFFdwofGFrwVdI36PdvqEKyIHdkS1NO2nu-s1jvampc2H/s1600-h/yopp00-093.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330055778685667506" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiitIhv8-vHZFyt7V5Ng11IfblGMjcwxDqaJIeGGblZP5qNDmhCJZP21FYDpnKUuTdDEI4shKBwlH1wblDvWQEMUZu2-sS3oPqoFFdwofGFrwVdI36PdvqEKyIHdkS1NO2nu-s1jvampc2H/s320/yopp00-093.jpg" style="cursor: pointer; display: block; height: 209px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv0xtr5FFDBYCp0zEUWhJ5KABH5oZQtTq9MVKfNJdioRZxoLVJpO730ODqjrWke_JKhaUojEnoc4Mtcp90K5W4n_TZ8PVRhNjVb4viDzuHhVcuhPLQnsZPhHxECuXoZvSEYU6NJNc_S9um/s1600-h/yopp00-056.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330055778862770578" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv0xtr5FFDBYCp0zEUWhJ5KABH5oZQtTq9MVKfNJdioRZxoLVJpO730ODqjrWke_JKhaUojEnoc4Mtcp90K5W4n_TZ8PVRhNjVb4viDzuHhVcuhPLQnsZPhHxECuXoZvSEYU6NJNc_S9um/s320/yopp00-056.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 234px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7NE4gk0umqFqXNsBItkSNDJ6r9oIwrsccM_nuTdeZWpZ7jLY8ZsVCr604obRFS2t7qi5wkm_1HQ8vr4VOG19FaAuJ13n9ZSrs5Hz76HPN63ylB0KXLX7fFRyaTIRgdos7MX6732XTWxRg/s1600-h/yopp00-045.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5330055774379189650" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7NE4gk0umqFqXNsBItkSNDJ6r9oIwrsccM_nuTdeZWpZ7jLY8ZsVCr604obRFS2t7qi5wkm_1HQ8vr4VOG19FaAuJ13n9ZSrs5Hz76HPN63ylB0KXLX7fFRyaTIRgdos7MX6732XTWxRg/s320/yopp00-045.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 170px;" /></a><br />
<br />
Countless nights and days walking shadows<div><br />
Turning that corner and then the other<br />
to find to find to find<br />
variations of light of taste<br />
eyes and mouths<br />
never sufficient<br />
thirst anxious drift<div><br />
taking all substances losing ourselves<br />
there at rooms with smoke and fog like<br />
all these cigarettes from twisted old mouths<div><br />
Dancing over the corpses of our own young dreams<br />
licking red red very red open lips</div><div><br />
Hearing our steps dry echo on nights like this<div><br /></div></div></div></div>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com3tag:blogger.com,1999:blog-9131592553084410232.post-24064851411000476992016-02-29T16:02:00.000-08:002023-03-29T06:12:00.286-07:00Barcelona's heart<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb-wCE5mgPtDMsWqEpS8WZsiZeAWOj7Q0jQYnGz8I1GGKzNrRL4eDLcOnyCFJv4xClHPQNY_sS0Tpnk4xehvf1RDCZmlB2NqNw5G2QkLwk7wdzLTUaqRvpmGZitthHhjsFvEhQPqvDZZxm/s1600-h/yopp00-129.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332402477260628738" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb-wCE5mgPtDMsWqEpS8WZsiZeAWOj7Q0jQYnGz8I1GGKzNrRL4eDLcOnyCFJv4xClHPQNY_sS0Tpnk4xehvf1RDCZmlB2NqNw5G2QkLwk7wdzLTUaqRvpmGZitthHhjsFvEhQPqvDZZxm/s320/yopp00-129.jpg" style="cursor: pointer; display: block; height: 211px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaBslgM2ZJBL4424El99-xNbkYGhFnL0mHjnZ16eajrk0_m9zBOFunRUqa1rHw8UdqFBj7owZrA-Nm72S76g2ZEcolye5eqM01EOzNBJyaEyX8EN0clRIEZtfMMh-7P6a8vUbNWnleNwYh/s1600-h/yopp02-149-1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332402279906966962" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaBslgM2ZJBL4424El99-xNbkYGhFnL0mHjnZ16eajrk0_m9zBOFunRUqa1rHw8UdqFBj7owZrA-Nm72S76g2ZEcolye5eqM01EOzNBJyaEyX8EN0clRIEZtfMMh-7P6a8vUbNWnleNwYh/s320/yopp02-149-1.jpg" style="cursor: pointer; display: block; height: 187px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOm6Ec0VWG1Rq69kgfaMSFht7IHQ60syKkzWhFQqjw5KODRthXNH5FdxwTCSRof_u8CV1VTa_GfVgB6AdfDCQ2sMm4htj1nquz8_n3za9Mz-eHgRTsT-ebWeULSVNElxoW1hTfXTTQ3vZs/s1600-h/yopp02-148.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332402280931766946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOm6Ec0VWG1Rq69kgfaMSFht7IHQ60syKkzWhFQqjw5KODRthXNH5FdxwTCSRof_u8CV1VTa_GfVgB6AdfDCQ2sMm4htj1nquz8_n3za9Mz-eHgRTsT-ebWeULSVNElxoW1hTfXTTQ3vZs/s320/yopp02-148.jpg" style="cursor: pointer; display: block; height: 179px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga74t6bJgw5Z_5wCp4Ar0-l1Q5iMLkSMOYJ0K3hcqvQac7vKVMQcSmLwJNJ6B60EjyXhjPaDpWmGzSWlrIMocoWbImBdLPxxdQ2x2fAuu2QWxNKfqw14RnlrfzyBVFBomDLMeLsDShFOah/s1600-h/yopp02-145.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332402276507154018" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga74t6bJgw5Z_5wCp4Ar0-l1Q5iMLkSMOYJ0K3hcqvQac7vKVMQcSmLwJNJ6B60EjyXhjPaDpWmGzSWlrIMocoWbImBdLPxxdQ2x2fAuu2QWxNKfqw14RnlrfzyBVFBomDLMeLsDShFOah/s320/yopp02-145.jpg" style="cursor: pointer; display: block; height: 184px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilyb507MN7Yx0jNz-e2682BwQC2kdW2AeA9o4YHpJ3XfwV8ZnAzdGaHYHvFuUA9O3d3YNNu0AWmZ0GnOHQjM5_koCmQlcDPKLC4Q-1UwOjjI8cPSW0lsyaIr0rhyH50NBjFZsBo-604rjM/s1600-h/yopp02-144.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332402275162568530" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilyb507MN7Yx0jNz-e2682BwQC2kdW2AeA9o4YHpJ3XfwV8ZnAzdGaHYHvFuUA9O3d3YNNu0AWmZ0GnOHQjM5_koCmQlcDPKLC4Q-1UwOjjI8cPSW0lsyaIr0rhyH50NBjFZsBo-604rjM/s320/yopp02-144.jpg" style="cursor: pointer; display: block; height: 183px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjXixILwtdzOxbysrL9uq-99w7udahUpMDsdgHxGqCwYzNPvBfwizxc8QJY49HR9VV_dUeLbYuEv9zg7XXraIOZjfLrBmREHcbJElYuMwYJsk1oxJq519KrhFFQ8yNjhyu2z_xcBODBfw1/s1600-h/yopp00-204.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332402271182823874" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjXixILwtdzOxbysrL9uq-99w7udahUpMDsdgHxGqCwYzNPvBfwizxc8QJY49HR9VV_dUeLbYuEv9zg7XXraIOZjfLrBmREHcbJElYuMwYJsk1oxJq519KrhFFQ8yNjhyu2z_xcBODBfw1/s320/yopp00-204.jpg" style="cursor: pointer; display: block; height: 283px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
From night till day<br />
we loved<br />
we tasted<br />
time<br />
and<br />
time<br />
soft air<br />
and wet skin<br />
falling kisses<br />
knowing<br />
it will be gone<br />
poems<br />
like<br />
all this<br />
writings<br />
about mouths<br />
and bodies<br />
our bodies<br />
lost<br />
and<br />
found again<br />
a night<br />
and then<br />
a day<br />
a sunny<br />
fresh morning<br />
Barcelona's<br />
heart beating<br />
with ours<br />
Barcelona's sea<br />
waving on ours<br />
love that<br />
never ends<br />
from times<br />
that are far<br />
are souls<br />
close forever<br />
from that night<br />
to that dayEsther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com3tag:blogger.com,1999:blog-9131592553084410232.post-32375588395636983512016-02-29T16:00:00.000-08:002023-03-29T06:11:32.579-07:00And Off to Meca they went<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS-nRJYLUOboB8gp9HLTzPdO0LNMurkXWpvtj9h0jO7jlpN7XFKwEN_dJlb2JeQyXOaTFC4R4Hin7dOsQw5-MvcLSyB2dLBJcSYTUIuBL5Gtsj4oOfQwm4C7SiFL_clR0K5i2iB6Qm_cPf/s1600-h/yopp00-198.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332701012295271778" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS-nRJYLUOboB8gp9HLTzPdO0LNMurkXWpvtj9h0jO7jlpN7XFKwEN_dJlb2JeQyXOaTFC4R4Hin7dOsQw5-MvcLSyB2dLBJcSYTUIuBL5Gtsj4oOfQwm4C7SiFL_clR0K5i2iB6Qm_cPf/s320/yopp00-198.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 188px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5YiFK9yZKoQ_Ws0o5KvPuJYYtfGW_e4zGgPdWrK5c19TxNNM0euKaFjwrWoTRUwRnrSf4iSfJJ89hCm_F8YzOkrzA8icQwo9ekvDtGM_0c-ivSRBM2G8sSsE5VDPPi1unkfzeCvZ1BZfF/s1600-h/yopp00-023.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332701014635933762" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5YiFK9yZKoQ_Ws0o5KvPuJYYtfGW_e4zGgPdWrK5c19TxNNM0euKaFjwrWoTRUwRnrSf4iSfJJ89hCm_F8YzOkrzA8icQwo9ekvDtGM_0c-ivSRBM2G8sSsE5VDPPi1unkfzeCvZ1BZfF/s320/yopp00-023.jpg" style="cursor: pointer; display: block; height: 225px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhdBAlcuI8o6fvcHWlTon8MlVb4bHWDY0JTPzCNGOEECtm1AX9IW5VXbzPIINj-gEoAvkfhmpF5om84ZilHRdqZyuf9JhSBbIyNx-w7atyP4dqr1irG7i7BgtA32TiKqNn5sgEJgBNqOSc/s1600-h/yopp01-017.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332701006528300994" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhdBAlcuI8o6fvcHWlTon8MlVb4bHWDY0JTPzCNGOEECtm1AX9IW5VXbzPIINj-gEoAvkfhmpF5om84ZilHRdqZyuf9JhSBbIyNx-w7atyP4dqr1irG7i7BgtA32TiKqNn5sgEJgBNqOSc/s320/yopp01-017.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 158px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgONnkDcxzQmAYmIyHkEqXnCz6k_4BI_lSOq4devPpQiLVstMbFQZAIW-C96i2lmoy79Y9W07v1uwDQzeqwKo55X924-LhOpXlWPgYrtIz1UoWUcVvdTMVsKc0YcPEfEvU5bYPmn2ifLVcg/s1600-h/yopp99-118.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332701004287312770" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgONnkDcxzQmAYmIyHkEqXnCz6k_4BI_lSOq4devPpQiLVstMbFQZAIW-C96i2lmoy79Y9W07v1uwDQzeqwKo55X924-LhOpXlWPgYrtIz1UoWUcVvdTMVsKc0YcPEfEvU5bYPmn2ifLVcg/s320/yopp99-118.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 155px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ4YObd8LLyIvzK2oxY1HvRN2E0TOPv5Esz7XdGrq6q3hpjmxcdn1qxmP7wCIhR0eAodmDOK1_1lt3i68oAi1TfZ1JHk5ghCN0LHRdC1D3iZxfYnMBGrxIsWDWSSXCN74bLEVyPbth_Ju9/s1600-h/yopp00-009.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332701007173742994" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ4YObd8LLyIvzK2oxY1HvRN2E0TOPv5Esz7XdGrq6q3hpjmxcdn1qxmP7wCIhR0eAodmDOK1_1lt3i68oAi1TfZ1JHk5ghCN0LHRdC1D3iZxfYnMBGrxIsWDWSSXCN74bLEVyPbth_Ju9/s320/yopp00-009.jpg" style="cursor: pointer; display: block; height: 276px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx7f7JEwAlUFSxG_9pFbHGseOJIt3p03eAAsIiYxpnccHz9THBtN1-5d1XJcR2x7ZAF1YR2AyRk97A9J-TQCE_DuLW9yUyqeRxATcLDOgOS9HxhyCLdtezxzNTYrdLSqm5mzR7BhraVaf8/s1600-h/yopp03-072.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332669633181663698" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx7f7JEwAlUFSxG_9pFbHGseOJIt3p03eAAsIiYxpnccHz9THBtN1-5d1XJcR2x7ZAF1YR2AyRk97A9J-TQCE_DuLW9yUyqeRxATcLDOgOS9HxhyCLdtezxzNTYrdLSqm5mzR7BhraVaf8/s320/yopp03-072.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 222px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz4_foqZoFV95NtjeJq-tPsvskfQimfIMGOplWAxFqMulZWChGPJfuZBUeO-PO7tJsGz0UhjzqK2XAhZXoR2F66N2ngMAq-e-UYu79gbA-OYpi8Qfsj_1-ICdOvN3l6AIhn8-PzXzF7vtY/s1600-h/yopp00-128.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332669630451893154" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz4_foqZoFV95NtjeJq-tPsvskfQimfIMGOplWAxFqMulZWChGPJfuZBUeO-PO7tJsGz0UhjzqK2XAhZXoR2F66N2ngMAq-e-UYu79gbA-OYpi8Qfsj_1-ICdOvN3l6AIhn8-PzXzF7vtY/s320/yopp00-128.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 224px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU2gWH4SiFXTX0Jk56mC7uRuxggaz5P1Zbw8QGrLEwAWDaV12D0IjsI-l9OjyE6gpcdmI-0LXAqPb8T62Tm889dQepaKqonrffwQy3d9SYI8IymxHYOj1Y8PT3v1e7hTtfOP3KkgiBicv6/s1600-h/yopp00-097.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332669628517194978" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU2gWH4SiFXTX0Jk56mC7uRuxggaz5P1Zbw8QGrLEwAWDaV12D0IjsI-l9OjyE6gpcdmI-0LXAqPb8T62Tm889dQepaKqonrffwQy3d9SYI8IymxHYOj1Y8PT3v1e7hTtfOP3KkgiBicv6/s320/yopp00-097.jpg" style="cursor: pointer; display: block; height: 189px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHyXDMh_nB6jlX3QsreFkces1P2UPgXWPr6CYod466DrVatHd1ZSZ8LDA8g3PgIQzwDfPEP2hbCGMpK1r0QoKGRoh2uZ51GONFj8hTEhobE78RdCJ58naY1K67hnxAO4UY4Y0Ug2z-jIEE/s1600-h/yopp00-094.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5332669628895527122" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHyXDMh_nB6jlX3QsreFkces1P2UPgXWPr6CYod466DrVatHd1ZSZ8LDA8g3PgIQzwDfPEP2hbCGMpK1r0QoKGRoh2uZ51GONFj8hTEhobE78RdCJ58naY1K67hnxAO4UY4Y0Ug2z-jIEE/s320/yopp00-094.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 190px;" /></a><br />
Together we traveled<br />
Together to Meca<br />
Paris rouge blue green<br />
yellow noir<div><br />
The sky of Van Gogh<br />
over us and dancers<br />
and love and wet sex<br />
for us<br />
for us that are<br />
so thirsty<br />
and so full<br />
of fire</div><div><br />
Paris scents<br />
Degas and Lautrec<br />
Is cold and humid<br />
and Absinthe is<br />
warm</div><div><br />
Baudelaire ghost<br />
has taken us<br />
to that brothel<br />
the Harem where<br />
we are about<br />
to dance</div><div><br />
It's raining outside<br />
but our tent is lighted<br />
orange and blue</div><div><br />
Losing our minds<br />
on frenzy and debauchery<br />
this orgy all around<br />
painted and draw</div><div><br />
We lick and lick<br />
roses of all kinds<br />
we come and come<br />
inside vessels that moan<br />
French words and sounds<br />
and cats</div><div><br />
Miau Miauuuuuu</div>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com2tag:blogger.com,1999:blog-9131592553084410232.post-53092903440303536932016-02-28T15:58:00.000-08:002023-03-29T05:57:28.957-07:00Death is not my friend (Mort de Casagemas)<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQhLgSi2dp_TwNBVMekup3iXrlMwzPy_yfRoZrl5v7J85q3Aw9XespjvYheN4Rp1ofZrbkzF8UdU_WlpnGLC4DpnE5Vw9f922YwTUnhkFrojPrfMy00SI9pbhbDG2uksMWzEbGkZtrd280/s1600-h/yopp01-044.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5333114268540144882" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQhLgSi2dp_TwNBVMekup3iXrlMwzPy_yfRoZrl5v7J85q3Aw9XespjvYheN4Rp1ofZrbkzF8UdU_WlpnGLC4DpnE5Vw9f922YwTUnhkFrojPrfMy00SI9pbhbDG2uksMWzEbGkZtrd280/s320/yopp01-044.jpg" style="cursor: pointer; display: block; height: 230px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMxE9_U3LVUGltqWB4xGE2ribL2m0m3yTRaXnEPJcSV5jNg8mbGrK2RC3LcZPZtULez0K_oa8kVFaBUu5q6ItTBngCpHFz6Sl0L0rF3f2PHOSau8POa_DLlTP4VPJNj9jUxPYT1WOdrF5J/s1600-h/yopp01-043.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5333114268393671090" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMxE9_U3LVUGltqWB4xGE2ribL2m0m3yTRaXnEPJcSV5jNg8mbGrK2RC3LcZPZtULez0K_oa8kVFaBUu5q6ItTBngCpHFz6Sl0L0rF3f2PHOSau8POa_DLlTP4VPJNj9jUxPYT1WOdrF5J/s320/yopp01-043.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 197px;" /></a><br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkwtgxJw39R5_F71AV5p3jBZGatvebQ4rSz6IRO-32z2P9uQRJRMZOl8zBPfdmWDqF9cP9mc4j23CEBAl1q2FgSP1HJ2CvyFklNRWJcfF0rUhAth2emh-uoHbCh0-a9FJM4zfNp0lWZooi/s1600-h/yopp00-070.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5333114257610294610" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkwtgxJw39R5_F71AV5p3jBZGatvebQ4rSz6IRO-32z2P9uQRJRMZOl8zBPfdmWDqF9cP9mc4j23CEBAl1q2FgSP1HJ2CvyFklNRWJcfF0rUhAth2emh-uoHbCh0-a9FJM4zfNp0lWZooi/s320/yopp00-070.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 205px;" /></a><br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguy5tiweCcSCvIv8aZdtSWaaP4rk9HP2Va4wLM7OGcAiZ2Lvg7wxUUGGpmLo04xPTfpzOAXB4HT34wobOXOuA7qjCBFZkZidPep1eoNOqXsRTnYSyYhg3rETqP5goWMF-hkHnH01CsKNQ6/s1600-h/yopp03-080.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5333114255614991890" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguy5tiweCcSCvIv8aZdtSWaaP4rk9HP2Va4wLM7OGcAiZ2Lvg7wxUUGGpmLo04xPTfpzOAXB4HT34wobOXOuA7qjCBFZkZidPep1eoNOqXsRTnYSyYhg3rETqP5goWMF-hkHnH01CsKNQ6/s320/yopp03-080.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 126px;" /></a><br />
<br />
Death is not my friend<br />
not the love<br />
that denied seems<br />
to call me with<br />
her name<div><br />
Death is all around<br />
and I just wish<br />
it would go away</div><div><br />
Living like dreaming</div><div>
But never dying</div><div><br />
You were here<br />
next to me<br />
now you are gone</div><div><br />
Tombstones<br />
next to yours<br />
and muted</div><div><br />
Silence that oppresses<br />
void without you<br />
You left<br />
and now<br />
what can I do?<br />
Where to find you<br />
again?</div><div><br />
If I have to look at your pictures<br />
to paint how you must look<br />
sleeping and wounded<br />
eternally resting</div><div><br />
Your eyes and<br />
your words<br />
your presence<br />
your needs<br />
your talent</div><div><br />
But you like it<br />
the Sirens songs<br />
Morphine and Alcohol<br />
told you about<br />
a whole better world<br />
where to swim forever<br />
and dive<br />
where Love always<br />
comes back</div>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com2tag:blogger.com,1999:blog-9131592553084410232.post-64420477294995116532016-02-28T14:00:00.000-08:002023-03-29T05:55:25.515-07:00and this was not an auto portrait<div style="margin: 0px auto 10px; text-align: center;">
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Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com1tag:blogger.com,1999:blog-9131592553084410232.post-76580223900672949602016-01-21T12:38:00.002-08:002021-11-15T02:21:05.304-08:00To Be or Not to Be ....... <div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><b>Is a question of power</b></span><br />
<span style="font-size: x-small;"><span style="font-family: "courier new" , "courier" , monospace;"><b>Power itself must be</b></span></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><b>abolished ---- and not solely because of the refusal to be dominated which is at the heart of all traditional struggles-- but also, just as</b></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><b>violently, in the refusal to dominate.</b></span><br />
<span style="font-size: x-small;"><span style="font-family: "courier new" , "courier" , monospace;"><b><br /></b></span>
<span style="font-family: "courier new" , "courier" , monospace;"><b>Intelligence cannot, can</b></span></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><b>never be in power because intelligence consist of this double refusal power has ransacked all of the strategies of simulation:</b></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><b>parody</b></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><b>irony</b></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><b>and self-mockery </b></span><br />
<b style="font-family: "courier new", courier, monospace; font-size: small;">------</b><br />
<span style="font-size: x-small;"><span style="font-family: "courier new" , "courier" , monospace;"><b>Leaving the left with only a phantom of the truth the terms simulacrum, </b></span><b style="font-family: "Courier New", Courier, monospace;">simulation, and virtual </b><b style="font-family: "Courier New", Courier, monospace;">summarize this liquidation</b></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><b>in which every signification is eliminated by its own sign, and the profusion of signs parodies a by now unobtainable reality. </b></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><b><br /></b></span><span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><b>The Agony of Power, </b><b>Jean Baudrillard</b><b> </b></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><b>ed.Semiotexte</b></span>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-53213327769923393922013-01-27T09:50:00.001-08:002017-04-12T11:27:42.431-07:00field works visual note book about my interaction with PISO proyecto as guest to their Practica sessions during my "voyage to Puerto Rico " <span style="font-family: "courier new" , "courier" , monospace;">During my trip to Puerto Rico coming from Cali , Colombia on the first days of December , I have 'encountered" all sort and most of unexpected situations , relations , reactions and context .</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">On this mode for the unsuspected , I "improvised" or decided to improvise at a very inspiring "action " I happen to be taken to .</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">The "action" consisted of PISO proyecto:http://pisoproyecto.org/</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">The context and the space was a "barrio" a "department for goof food" </span><span style="font-family: "courier new" , "courier" , monospace;">El Departamento de la Comida ( see link ) and its back streets .</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">Musicians playing and singing navidad music taked us for a mini ride "pasa calle" as in the most traditional style where we stop at the front of the houses and sing along and clap with the neihgbors all desiring each other Felicidades , Happiness .</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">Later we entered El Departamento, the PISOS where all placed close to each other, but separate in the front space at the entrance of the dept .</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">A woman stept and started to move... a bit later another also started on PISO .... people will look and drift with their eyes all around the shapes formes positions that those bodies where taking. At a point , I got a small call inside me : my dancer body , my improviser contact dance latest memories arising like forgotten hibernated seeds (it was at least 8 or 9 years since I had not interacted any more) called me to action. </span></div>
<span style="font-family: "courier new" , "courier" , monospace;">Mi long journey as a Dancer has implied my own disappearance as such . Where have they gone so many thousands hours and millions of minutes of dedicated hardship of physical devotion to the Goddess of Dance ? </span><br />
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<span style="font-family: "courier new" , "courier" , monospace;"> <span style="font-size: xx-small;">Pictures of me dancing in 1996 in Barcelona for a catalogue of </span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: xx-small;"> my show </span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: xx-small;">that used </span></span><span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;">visual installation and live performance too.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">I know there are here with me , as with the rest of my past , is past but it is also part of me now and part of the masses of experience that I have acquired during this long journey as an artist or actor or medium. At that moment I must say , that the so called "call" was also taking place , due to my sense of the comunal situation that PISO was generating , and because I had not forgotten that such setting was also given to the public too. (Any one is welcome ! said their invitation /announcement)I just felt like collaborate or to start so that others could follow ... No one knew my past as dancer , no one really really know who I am or what I have done (a person of my kind, that constantly practices disappearance as her main tactic , does not leaves many clues , many titles , materialised identities to wich any one can be guided) On the contrary , my almost complete exercice on disappearance does not leaves many clues to any one to actually pin me down.</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">I felt free to jump on the PISO , and so I did .</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">I taked it from where I am staying this times since a wile now.. minimal presence , standing still, no movement , small gestures etc etc....</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;">doing PISO improvised encounters at El Departamento de la Comida in Santurce </span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">My intention to actually encourage the public to imitate me did not succeed. Never the less ,I got to know Noemí Segarra , the "artifice" of PISO. She was keen in talking to me and asked me a few questions about my "dance context or relation".She had just stablished her self into her home land back from a life in New York and Venezuela a</span><span style="font-family: "courier new" , "courier" , monospace;">nd after some critical moment she had decided to expand her "framework" and went to Beta-Local and did a whole La Practica, wich is one of the few lines of work that Beta-Local provides from their Head Quarters in Viejo San Juan . </span><br />
<span style="font-family: "courier new" , "courier" , monospace;">During this experience , Noemí developed PISO proyecto and has also found a few colleagues to explore further and create what she now calls La Practica , of PISO. </span><br />
<span style="font-family: "courier new" , "courier" , monospace;">(see blog )</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">It is from that place and mind state , that Noemí was inviting me to be "guiding" her directed Practica de Piso for a few sessions. For me this experience , the connection with Noemí , to have found her at this point its been very refreshing and positive on a times where almost every where I just found deception, rejection or alienation .</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">She is interested in the kind of issues that also appeal to me, and I am happy to find my self less alone .</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">She is more committed , more "mover" still than me , even though she feels she has break and expanded "that dance" and she has, but when I say we have points of connection and common zones of interest etc etc I am not meaning we are at the same place too.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">My own "path" intricate and so unbearably light ,had left dance and movement to just life and some quotidian gestures or dances at a party . My movement and my been a dancer , is gone in to this inmaterial zone of concepts , narrations , tales and dreams.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">My latest works that comment on my movements are the "urban interventions" where I stand near a "place/space" found at walking around my own "barrio" in London .</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">And I am wanting to continue the exploration and take it further.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">For my "passing /becoming PISO " I had photocopied a micro publication from the latest DOCUMENTA13 with the text from Michael Taussig about Field Work Note Books .</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">I hade made my own pirate zine out of it and to made the copies and spread them around already felt subversive some how...</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">We expend most of the first session talking , because as I recalled , in my times "dancers never talked " nor developed critique or where asked ro do so . Only one kind of "rol" will reserve such activities and this was the Choreographer.</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">I explained to them where I was coming from , my Spain, with Franco, the Institut de Teatre with out Contemporary Dance department ( my class inaugurated this era ) . My trips to London, my disinterest on Martha Graham tech once I was very good at it ... my instinct for more than just dance ..my crisis the gap of almost 15 years and then my coming back again to Dance, this time to find people of my own generation that had developed stuff like "contact dance" 'release" and Improvisation..I also talked about AREA in Barcelona , and Monica Extremiana's great teaching and methods for structuring the "impro sessions" .</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">And finally how I drifted out again from the whole dance world when I left for London 15 years ago.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">They also explained me from where they came from... and it is amazing how, (some of them could be my own kids by age) their main existence and presence and the main existence of PISO as project etc etc means that my "worries and crisis" where part of something bigger ( it always is) related to a generation and its limitations and its breaking points. </span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">It was exciting to find out that people coming from photography or architecture where getting involved is such vanguardist project as PISO is . </span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;"> Noemí Segarra picturing as part of the practica </span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;"> relation between "pisadores" and the the others </span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;">Coral and Cristina embodying PISO </span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">We meet up for two more times in wich we derived in different urban zones/ points and we all had our PISO moments in and out of it . I have asked them to please see if they could put down some text related , in any format or shape too so that we can publish a small zine ( just as the one I had give them the first day )</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">so we are waiting for this... mean wile </span><br />
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: xx-small;"> Ivan at motorway </span></span>
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<span style="font-family: "courier new" , "courier" , monospace;">The experience that I am about to visually narrate , has activated many things , and has happened not for chance .</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">thanks to Noemí Segarra for all this great times .</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;">Coral Pisando on moving platform at La Laguna </span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;">Situation where we are perceived by the viewer photographer as mover and performer </span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;">Third and last session , where I ask to go to interact at La Placita , and The Fruit Market</span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;">me interacting inside a fruit market , my figure , the figure of fruits, body and objects </span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;">me doing PISO with fruits with Gladys a lady from el Barrio clapping to "el son"</span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;"> Noemi Segarra with her PISO </span><br />
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<span style="font-family: "courier new" , "courier" , monospace;"><br /></span>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-88798849453996537912012-05-03T05:25:00.000-07:002014-08-02T11:48:15.392-07:00A performance inside a book inside a space inside a building // Esther Planas at PABD London ICA March 2012<div class="separator" style="clear: both; text-align: center;">
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<br />Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-33477381138763565322012-02-13T07:41:00.005-08:002022-01-22T16:45:08.877-08:00See Me // Hear Me // Feel Me at PAMM /// Madrid 18 February 2012<div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.918);">
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<span style="color: #222222; font-family: "courier new" , "courier" , monospace;">PAMM presents:</span><br />
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<span style="color: #222222; font-family: "courier new" , "courier" , monospace;">SEE ME// HEAR ME// FEEL ME</span><br />
<span style="color: #222222; font-family: "courier new" , "courier" , monospace;">Ephemeral Disturbance Psycho-Perceptive </span><br />
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<span style="color: #222222; font-family: inherit;">PAMM (Performing Arts Mirror Madrid) is a nonprofit art space without fixed headquarters but located in Madrid, opened for creation, diffusion, development, and spreading of performing arts, or projects of national or international performers, ready to work throughout guerrilla or resistance practices and under budget.</span></span><br />
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Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-48701334795627071752012-02-05T08:25:00.001-08:002013-04-08T16:28:38.432-07:00Mexican Embassy at La Residencia 134 London East End 15 January 2012<div class="separator" style="clear: both; text-align: center;">
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Los Detectives Salvajes : Arturo Belano y Ulises Lima</div>
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<span style="text-align: -webkit-auto;">Mexican Embassy at La Residencia 134 London East End</span></div>
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Olmeco Gold Tablets </div>
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From Walter Benjamin text Mexican Embassy:<br />
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"I never pass a wooden fetish,gilded Buddha, or Mexican idol with out telling my self : that maybe the true God " Charles Baudelaire </div>
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" I dreamed I was a member of an exploring party in Mexico. After crossing a high, primeval jungle, we came upon a system of aboveground caves in the mountains where an order had survived from the time of the first missionaries till now, its monks continuing the work of conversion among the natives. In an immense central grotto with a Gothically pointed roof, Mass was celebrated according to the most ancient rites. we joined the ceremony and witnessed its climax: toward a wooden bust of God the Father fixed high on a wall of the cave a priest raised a Mexican fetish. At this, the divine head turned thrice in denial from right to left."</div>
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Walter Benjamin, "Mexican Embassy", from One-Way Street, in ReflectionsThe event Mexican Embassy tuck place Sunday 15 of January at Residencia 134 , Esther Planas studio flat in London , a place that has been also a "refuge" and short residence for various artist and friends for the past five years ... The idea was to have a few issues present and leave the spirit of the day take its time and lead the happening , as a guest, some had arrived early , they maybe had to cook or cut onions...some just talked to each other relaxed , but puzzled about what was supposed to happen.. this feeling of an imminent "thing about to occur " floated in the space making the non event a surreal paralel to Buñuel's The Exterminator Angel subject...</div>
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Some of the guest was too similar to Salvador Dali, the antagonist of Luis Buñuel , after he denounced Luis of been a "commi " to the authorities in New York forcing his ex-friend exile to Mexico and some how creating or starting the cause of what later would be some of the best creations that Buñuel delivered as a Film Maker as in his Mexican period..</div>
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At some point, the host of the Embassy, after having cook Hot Hot Chocolate....got a visit from Luis Buñuel spirit.... The video shows fragments of the event...starting with the medium session and followed by the reading of Walter Benjamin's dream Mexican Embassy by Pablo Leon de la Barra, acting as him self , mexican curator diletante ...finally by late night ...a bolero wanted to be played and heard....the great guitar playing of Puerto Rican musician and performer Daniel Moncada make it possible.The installation at Residencia 134 , is a project by Esther Planas related with her supposed first solo show eternally delayed by various odd ( maybe that God) reasons in Mexico DF ....Preparing the show, there where issues found and issues compiled as for raw material to be later distilled and synthesised ... </div>
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One very relevant text and the title of the event , is Walter Benjamin's Mexican Embassy, a description on one dream he once had...</div>
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The idea of myth , travelling as to re-discover and re-trace.</div>
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The idea of an Embassy, a space where all things "that nation" , could happen inside.. the little portion of magic territoire where one could pray at other's God's</div>
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If we understand God as religion and religion as culture, opposed to ritual as folklore</div>
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in the way The West has managed to represent the Otherness of such places as the lands where due to different politics of Colonisation at least one can still walk next to the real owners and natives of the territoire...</div>
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The knowledge of Planas ancestors living somewhere on the country... as a note about a grand father doing his first communion at one very complicated to pronounce address.. Sor Juana Ines de la Cruz and specially the idea or "her room" at the convent, a place full of books and instruments where to studie and write and play...The dream about Peyote rituals that have been narrated to her by friends travellers, a pop video clip that was shot on location in the towns of Garcia, Xilitla, and the Icamole Desert in Mexico ...The notes, films compiled, about Caridad Mercader and her son The Killer of Trostky , Las Aventuras de Olmeco Beuys , by Pablo Helguera, plus a whole stream of conscience like references to other works , lectures and material that has been found along the journey of preparation for a show that it maybe never touches Mexican ground...</div>
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The context is the residence /studio/ house of Planas and there lots of works hung related to this project, Gold Monochromes , Mayan Magic Penetrable, Ritual Dress, unfinished Panels ...</div>
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The event is about a call to the spirits of such ancient Gods from "a petite coin du monde anglaise " as if in a Mexican Embassy more close to the sort Des Esseintes would have created at his house than a real one... </div>
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The idea of Mexico trough out the topics of narration and memories of all sorts of non Mexican people , The Visitors, The Colonisers, The Exiled...The Ultimate Outsider Dream.....</div>
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Las Aventuras de Olmeco B by Pablo Helguera<br />
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sequence of stills from Luis Buñuel film </div>
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El Angel Exterminador </div>
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Mathias Goeritz Golds </div>
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Esther Planas and Marco Rountree Cruz </div>
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Capital Pedro Planas en Jalapa , Mexico</div>
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The film ( part one)</div>
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Salvador D and beautiful surreal hair of guest....</div>
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face book page ..........</div>
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px; text-align: left;">Freud's Mexico</span></div>
<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px; text-align: left;">Into the Wilds of Psychoanalysis</span><br />
<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px; text-align: left;">Rubén Gallo</span><br />
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px; text-align: left;">Freud's Mexico is a completely unexpected contribution to Freud studies. Here, Rubén Gallo reveals Freud's previously undisclosed connections to a culture and a psychoanalytic tradition not often associated with him. Freud found a receptive audience among Mexican intellectuals, read Mexican books, collected Mexican antiquities, and dreamed Mexican dreams; his writings bear the traces of a longstanding fascination with the country. </span><br />
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px; text-align: left;">In the Mexico of the 1920s and 1930s, Freud made an impact not only among psychiatrists but also in literary, artistic, and political circles. Gallo writes about a "motley crew" of Freud's readers who devised some of the most original, elaborate, and influential applications of psychoanalytic theory anywhere in the world: the poet Salvador Novo, a gay dandy who used Freud to vindicate marginal sexual identities; the conservative philosopher Samuel Ramos, who diagnosed the collective neuroses afflicting his country; the cosmopolitan poet Octavio Paz, who launched a psychoanalytic inquiry into the origins of Mexican history; and Gregorio Lemercier, a Benedictine monk who put his entire monastery into psychoanalysis. </span><br />
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px; text-align: left;">After describing Mexico's Freud, Gallo offers an imaginative reconstruction of Freud's Mexico. Although Freud himself never visited Mexico, he owned a treatise on criminal law by a Mexican judge who put defendants—including Trotsky's assassin—on the psychoanalyst's couch; he acquired Mexican pieces as part of his celebrated collection of antiquities; and he recorded dreams of a Mexico that was fraught with danger. Freud's Mexico features a varied cast of characters that includes Maximilian von Hapsburg, Leon Trotsky and his assassin Ramón Mercader, Frida Kahlo, Diego Rivera—and even David Rockefeller. Gallo offers bold and vivid rereadings of both Freudian texts and Mexican cultural history.</span><br />
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px; text-align: left;">About the Author</span><br />
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px; text-align: left;">Rubén Gallo is Director of the Program in Latin American Studies and Professor in the Department of Spanish and Portuguese Languages and Cultures at Princeton University. He is the author of Mexican Modernity: The Avant-Garde and the Technological Revolution (MIT Press, 2005).</span><br />
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film still from Buñuel's El Angel Exterminador </div>
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Oro Dorado Installation with Penetrable ....</div>
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Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-8128108850742961912011-10-07T11:06:00.001-07:002013-04-08T16:29:05.078-07:00Gipsy Dance Rock Mix at La Loseta a project by Radames Juni Figueroa<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0FXzpnKIskLBkL8zJmG2757SAJ56gD8udyc_dcxFlNGK8w6qDI9TmXFHq83_90_GCX0WuX7b7CH0kJimihMwhErZ1FOecaO_lPV_IKIapDc0oJey4e1ZXzNZPvs5jbJZE3C255LBSAd0/s1600/Gypsy+Rock+Dance+Mix+insta1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="476" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0FXzpnKIskLBkL8zJmG2757SAJ56gD8udyc_dcxFlNGK8w6qDI9TmXFHq83_90_GCX0WuX7b7CH0kJimihMwhErZ1FOecaO_lPV_IKIapDc0oJey4e1ZXzNZPvs5jbJZE3C255LBSAd0/s640/Gypsy+Rock+Dance+Mix+insta1.jpg" width="640" /></a>a mini resume of the show at the site in Radames Juni's on a warm night in San Juan.........</div>
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the video piece <iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dy-lnC_-pDZ55udQxLx7tGGyUXSquUv7WLx3yxuY6UELUQaKfNCEr-xgKUi9P6aEu3J_OxW0Iq6FGaKsH6e5Q' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div>
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Performance Detourned Song, Lip singing , dancing .<br />
Questioning commerce , publicity strategies as art practice...<br />
Video screened at LA LOSETA , a project by Radames Juni Figueroa , San Juan, Puerto Rico .<br />
25 Septiembre 2011<br />
Copy Right : Esther Planas VEGAP 2011<br />
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Gypsy Dance Rock Mix is a project for the space La Loseta , curated by artist Radames Juni Figueroa at his place in San Juan Puerto Rico. The project consist of 12 guest artist and curators responding to the invitation by Radames to interact at his space. The outcome of the whole 12 shows will be published on a book wile the space and the " gallery" will disappear for good .<br />
The installation consisted of a screening of the film Ase ere de je which is a lip singing /dance home recorded performance by Esther Planas wile listening to the major viral successful song ASEREJE , a bottle of spanish wine containing fake spanish flowers, a container with Tinto de Verano a punch called Gypsy , and a series of detourned . tunned, manipulated posters on topic photoshop from films related to the topic of Quinqui Cinema ....<br />
The video manipulation on I movie , as a playful , home made youtube specimen of the so many at the moment is a comment on other new media works and the soft blurry line that divides art from non art .<br />
As part of the show, there was a specially selected DJ YOuTube by Esther Planas of songs and films related to the theme and a blog for any one up for research....<br />
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The invite<br />
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The sound<br />
Dj//Play List by Esther Planas<br />
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click on the screen to go to youtube for the whole selection !! enjoy!<br />
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Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-49729101601202503332011-09-21T17:16:00.000-07:002018-06-19T10:25:47.206-07:00PUBLISH AND BE DAMNED AT WHITE CHAPELL BOOK FAIR<h2 style="clear: both; text-align: center;">
<span style="font-family: Courier New, Courier, monospace;"><b>Publish and be Damned </b></span></h2>
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<span style="font-family: Courier New, Courier, monospace;"><b>Esther Planas publications V.0. 1983/85 and Dark Star 1999/2012</b></span></div>
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Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-87488589948344931742011-08-21T07:35:00.000-07:002013-04-08T16:29:30.945-07:00Escuela de Calor at eme3 Barcelona 2 July 2011<div class="post-header">
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(Indeed, the very concept of “daily life” is itself a product of industrialism and the urban.) Martha Rosler.<br />
////////////////////Calor en eme3 : An extract cut and paste fragments from Martha Rosler essay published at E-Flux Journal //////Culture Class: Art, Creativity, Urbanism, Part 1 E-Flux Journal http://www.e-flux.com/journal/view/190///////////////////////////////////////////////////////////////////////////////////////////////////////////<br />
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Lefebvre’s emphasis on the city contradicted the orderliness of Le Corbusier, whom he charged with having failed to recognize that the street is the site of a living disorder, a place, in his words, to play and learn; it is a site of “the informative function, the symbolic function, the ludic function.”<sup><a href="http://e-flux.com/journal/view/190#_ftn5" name="_ftnref">5</a></sup> Lefebvre cites the observations of the foundational urban observer Jane Jacobs, and identifies the street itself, with its bustle and life, as the only security against violence and criminality. Finally, Lefebvre notes—soon after the events and discourses of May ‘68 in France—that revolution takes place in the street, creating a new order out of disorder.<br />
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The theoretical underpinning for a renovated cityscape came primarily from the earlier, utopian “millennial” and interwar designs of forward-looking, albeit totalizing, plans for remaking the built environment. It was not lost on the city poor that so-called urban renewal projects targeted their neighborhoods and the cultural traditions that enlivened them. Cities were being remade for the benefit of the middle and upper classes, and the destruction of the older neighborhoods—whether in the interest of commercial, civic, or other forces, such as enhanced mobility for trucks and private cars—extirpated the haunts of those beyond the reach of law and bourgeois proclivities, adversely affecting the lives and culture of the poorer residents. Martha Rosler, Culture Class: Art, Creativity, Urbanism, Part 1 E-Flux Journal http://www.e-flux.com/journal/view/190<br />
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Escuela de Calor , referencia al titulo de la cancion de Radio Futura, a la letra, ( arde la calle al sol del poniente..) continuando con la postura de buscar y re-interpretar a varios "maestros" grecolatinos, desde Diogenes, Socrates, Aristoteles a Joseph Jacotot o Jaques Ranciere.........Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com2tag:blogger.com,1999:blog-9131592553084410232.post-24485472988777176252011-07-29T05:42:00.000-07:002011-10-18T12:07:05.997-07:00NOT YET/// AGORA NAO/// THE BARBER SHOP /// LISBON///<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl_hyphenhyphenVKJ9FBGo8iUwXyEsBirXGpd16fvaDE5K4zbZ-gzRVYaFevH1le13_OaKIOjK9YHy7ruF_PLF_X5VCNlFeDRXW3LRkfKvfyy4QMXiFd2Yb2ZquArAqxKApWR2KME_fbcxZ-z0dM1xU/s1600/NotYet.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl_hyphenhyphenVKJ9FBGo8iUwXyEsBirXGpd16fvaDE5K4zbZ-gzRVYaFevH1le13_OaKIOjK9YHy7ruF_PLF_X5VCNlFeDRXW3LRkfKvfyy4QMXiFd2Yb2ZquArAqxKApWR2KME_fbcxZ-z0dM1xU/s400/NotYet.jpg" width="285" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"></div><b>2011</b><br />
<b>Agora não/Not yet (w/ Filipa Ramos)</b><br />
Performance and installation.<br />
«A letter was sent to various persons - dear acquaintances and some admired individuals - inviting them to share a non-done projects of theirs. The ongoing collection of these contributions is thus becoming an anthology of non-pursued thoughts. Each of them will be publicly opened one by one and displayed in an event that will take place on the evening of the 17th of June 2011, from 6pm onwards, at <a href="http://thisisthebarbershop.blogspot.com/" target="blank">The Barber Shop</a> in Lisbon. Simultaneously, José Albergaria, from <a href="http://www.changeisgood.fr/" target="blank">Change is good</a>, Cláudia Castelo and António Gomes, from <a href="http://www.barbarasays.com/" target="blank">barbara says</a>, will be producing in real time the catalogue of the project.»<br />
<b>>> List of participating artists (in order of appearance)</b>: Davide Balula, Laetitia Badaut-Haussmann, Nicolas Chardon, Hugo Canoilas, Von Calhau, Francis Upritchard, Stephania Galegati, Pedro Neves Marques, Pauline Curnier-Jardin, Nico Angiuli, Sara & André, Karina Bisch, Daniel Barroca, António Contador, Elisa Pône, Diego Perrone, Celine Condorelli, Ângelo Ferreira de Sousa, Invernomuto, Cesare Pietroiusti, André Uerba, Mathieu Laurette, Ignasí Aballí, Carla Cruz, Susana Pomba, Becky Beasley, Filipa Ramos, Marco Raparelli, Simone Berti, Rita Sobral Campos, Fernando Mesquita, Alexandre Estrela, Gerlach en Koop, Ana Cardoso, Francisco Queirós, Pablo León de la Barra, Lisa Tan, João Simões, Jacopo Miliani, Stephen Lichty, Tiny Domingos, Iacopo Seri, António Ortega, Isola and Norzi, Chiara Fumai, Esther Planas.Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com1tag:blogger.com,1999:blog-9131592553084410232.post-6378519602068730592011-06-16T12:05:00.000-07:002018-06-19T10:26:42.969-07:00REALITY in The East End ..found picture gentrifying vampir<div class="separator" style="clear: both; text-align: center;">
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Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com2tag:blogger.com,1999:blog-9131592553084410232.post-87457158824362110002011-05-13T17:04:00.000-07:002011-11-14T17:12:50.453-08:00URBAN ENVIROMENTAL SPEEDY INTERACTION SEQUENCES<div class="separator" style="clear: both; text-align: justify;"><br />
</div><div style="text-align: justify;">a No Dance Dance project</div><div style="text-align: justify;">Movement paused on positions</div><div style="text-align: justify;">Positions by process of a trajectory</div><div style="text-align: justify;">becoming pose, repetition and difference</div><div style="text-align: justify;">a dance of the pose and the captured seconds</div><div style="text-align: justify;">posing by the building I fear and love</div><div style="text-align: justify;">Inside huge Ivy arches</div><div style="text-align: justify;">Like ancient coffins containers</div><div style="text-align: justify;">Found Sculptures which to activate</div><div style="text-align: justify;">by detour and misuse</div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP6wDt12IyEcGLv1f3vdfD4E3DwFakgmPBKONkKam2qFTIC4S3JYOI4asgEGd-LArOsopmXqlIgoR9wVpcvimS8G35B9cZhfF8TBjLM7cK0_0i5InVZL1ZN7Pi7_m7cZ7CXU-GurIqcUpX/s1600/NY1low.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP6wDt12IyEcGLv1f3vdfD4E3DwFakgmPBKONkKam2qFTIC4S3JYOI4asgEGd-LArOsopmXqlIgoR9wVpcvimS8G35B9cZhfF8TBjLM7cK0_0i5InVZL1ZN7Pi7_m7cZ7CXU-GurIqcUpX/s640/NY1low.jpg" width="451" /></a></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">so many possible existing body exercises,</div><div style="text-align: justify;">coded and decoded</div><div style="text-align: justify;">eternal production of shapes containing</div><div style="text-align: justify;">all of the whole history of movement ,</div><div style="text-align: justify;">all expelled , devoid and trimmed down to zero</div><div style="text-align: justify;">in the territories of a body , at the subjectivity of stillness</div><div style="text-align: justify;">at the bottom of the towers where nothing but the cube is</div><div style="text-align: justify;">welcomed.</div><div style="text-align: justify;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf7daZt4jp8-U0-1DQvaP3gvA6phV7Z470DfDCNuuSHCwqsHei8k8IIc2W6MApQwF2HL0ijKa6cGx2M-vAGPMLoyoH3X9GtaSfh8phutwh42QQScxAu_wRrDNaZ081vCvFvKPZjS2Ii3hd/s1600/NY2low.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf7daZt4jp8-U0-1DQvaP3gvA6phV7Z470DfDCNuuSHCwqsHei8k8IIc2W6MApQwF2HL0ijKa6cGx2M-vAGPMLoyoH3X9GtaSfh8phutwh42QQScxAu_wRrDNaZ081vCvFvKPZjS2Ii3hd/s640/NY2low.jpg" width="451" /></a></div><div style="text-align: justify;">Urban filaments, an encounter at a zone and</div><div style="text-align: justify;">an area where a contingent has taken place , the</div><div style="text-align: justify;">composition of the proportioned cubes and squares</div><div style="text-align: justify;">mounted on to each other, the wild growth of the ivy</div><div style="text-align: justify;">and the presence of the body that echoes both:</div><div style="text-align: justify;">the basic equation and encounter of numbers intended</div><div style="text-align: justify;">at the reproduction of the same</div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkbvmXPmm-I-X6UHlq6p_oYZK6r2twVs_rrs0tnww61JFFrVC1uS6r1PfiRVo8Gc1DHjwBt31ZDJLPHowjb4ONplBJFYYuDyalqshtfWdazfKhUWN-aW0ex25X9T3mECUkpaeNSyYSQ8Eh/s1600/NY3low.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkbvmXPmm-I-X6UHlq6p_oYZK6r2twVs_rrs0tnww61JFFrVC1uS6r1PfiRVo8Gc1DHjwBt31ZDJLPHowjb4ONplBJFYYuDyalqshtfWdazfKhUWN-aW0ex25X9T3mECUkpaeNSyYSQ8Eh/s640/NY3low.jpg" width="451" /></a></div><div style="text-align: justify;">Interrupted, stillness,a body placed against the grain of time</div><div style="text-align: justify;">stasis feeding a movement awaking from a control delusion</div><div style="text-align: justify;">algebraic character and mathematical rigour trying to find forms</div><div style="text-align: justify;">that could still hold a transfusion of the visual in to the corporeal</div><div style="text-align: justify;">in situ at the present tense at the reduced instants.</div><br />
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<div style="text-align: justify;"><br class="Apple-interchange-newline" /></div><div style="text-align: justify;">A pause and a pose that prolongs its timing<br />
that tries to inhabit a sort of lapses a quietness of the essential<br />
against the super dance the super gestures and its excess<br />
at display an attempt to extract from instantaneity<br />
a form of preserving the singularity of its existence</div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5wLheqlgnUu4s5NlWSwz9IIrxmFw7e5r-2WAA8u14r9LrBlVeuXOdChnrOi8pvResfRsMe0JWyRcJSFqBAVoIy8CxVY9iShiSlW15E6_KkKd8HLTzIyfmhP1zbfEV9UKC3KHCJ5Zp_ssl/s1600/NY5low.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5wLheqlgnUu4s5NlWSwz9IIrxmFw7e5r-2WAA8u14r9LrBlVeuXOdChnrOi8pvResfRsMe0JWyRcJSFqBAVoIy8CxVY9iShiSlW15E6_KkKd8HLTzIyfmhP1zbfEV9UKC3KHCJ5Zp_ssl/s640/NY5low.jpg" width="451" /></a></div>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-87851333699740968702011-05-02T12:12:00.000-07:002011-11-20T06:00:21.125-08:00CLOSE ENCOUNTERS OF THE THIRD KIND INSIDE THE WHITE CUBE<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirEHO_YsjFLqV4pbVb79xGrECAMxdA2ver4KYk0TDWBk1Ec_vaY1WSf-lT_pt2yteSUUl2GrVL4-i95cCOrzPwZNF8tVc0Gr5ZCox2fB-wmDMJcNtWeHA7rNxFLONauwNAZga-BV0AUC6I/s1600/Screen+shot+2011-03-11+at+12.08.30.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirEHO_YsjFLqV4pbVb79xGrECAMxdA2ver4KYk0TDWBk1Ec_vaY1WSf-lT_pt2yteSUUl2GrVL4-i95cCOrzPwZNF8tVc0Gr5ZCox2fB-wmDMJcNtWeHA7rNxFLONauwNAZga-BV0AUC6I/s640/Screen+shot+2011-03-11+at+12.08.30.png" width="640" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR70UX-BQI3UGS1bWNOad5qPIep_T_cGXntanrmj_yR_AFmGyw10Eq0VpaR3rRPQiwW4a_2uI1jnEs3qnhCdrBPWsOWe1mhDGAQKG8xy_1lgie7Z8LdYOPmCi7DfyKKSiRxg52yo6LH89L/s1600/photo-1a.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR70UX-BQI3UGS1bWNOad5qPIep_T_cGXntanrmj_yR_AFmGyw10Eq0VpaR3rRPQiwW4a_2uI1jnEs3qnhCdrBPWsOWe1mhDGAQKG8xy_1lgie7Z8LdYOPmCi7DfyKKSiRxg52yo6LH89L/s320/photo-1a.JPG" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;">Maria Aguero, Tariq Alvi and Alex Carvalho </div><div class="separator" style="clear: both; text-align: center;"><br />
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</a></div><div class="separator" style="clear: both; text-align: center;"> Edward Dorrian , Tariq Alvi and Marc Hulson </div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNNOcKAdrGlG3ROxIhjug_ZDdNK_AHbwzbqK96vCCTAmmv4PR6nwNNhdysUMhfNpuehTBKS1odxuxIAawCSmJRkV5IcBPW47hbCPmkuTGmD-o8Ug_AkzjiM9FBKe8aJjyhtDeGPujdyqAB/s1600/IMG_0237.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNNOcKAdrGlG3ROxIhjug_ZDdNK_AHbwzbqK96vCCTAmmv4PR6nwNNhdysUMhfNpuehTBKS1odxuxIAawCSmJRkV5IcBPW47hbCPmkuTGmD-o8Ug_AkzjiM9FBKe8aJjyhtDeGPujdyqAB/s640/IMG_0237.JPG" width="640" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;">Richard Crow , Esther Planas and visitors <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcdwB4ttGXneHwm2oxcwGiKEczDGgg8T7JNHv_Jfb8cV623GlZ1hCcwRit-b2nsHfciNwCf1SWrZt0X0vEQa4As_oJTNFCaJcO-YFxMftHSIs7_gqTa38mOhcaY-Q-bjuaKcwuVZkCINzh/s1600/MAP.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcdwB4ttGXneHwm2oxcwGiKEczDGgg8T7JNHv_Jfb8cV623GlZ1hCcwRit-b2nsHfciNwCf1SWrZt0X0vEQa4As_oJTNFCaJcO-YFxMftHSIs7_gqTa38mOhcaY-Q-bjuaKcwuVZkCINzh/s640/MAP.jpg" width="640" /></a></div><br />
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</div><div class="separator" style="clear: both; text-align: center;">Audience at the opening talk Close Encounters </div><div class="separator" style="clear: both; text-align: center;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-NNDcjiFKAvZaRNHF7J-Hnzdhjr8wQjj1sYrop5_7ERDFGPOuC73YCYwn5EsXccf7Zl0Bh09Xm7zkvFQ3sgx8_umGcDiQAl9b4ObjtPDCrTiWv6Jh_OSwehaGdC-3928S4frx-k9whIJ0/s1600/photo-5a.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-NNDcjiFKAvZaRNHF7J-Hnzdhjr8wQjj1sYrop5_7ERDFGPOuC73YCYwn5EsXccf7Zl0Bh09Xm7zkvFQ3sgx8_umGcDiQAl9b4ObjtPDCrTiWv6Jh_OSwehaGdC-3928S4frx-k9whIJ0/s400/photo-5a.JPG" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEbV49J8ECwAuz0eayn7XPuzw_3Z1VqqtUAJPlGWqWe08af2wBZ1lLIp2EVDFilw3Y_yCXEGAADplpnNf-gAN_cvjjF-i96sgvNZJ8aHJCYtJyACafy5VHYWJSRyst2PD_36ra6Xv_g_Nm/s1600/Screen%252Bshot%252B2011-03-15%252Bat%252B11.24.35.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br />
</a></div><div class="separator" style="clear: both; text-align: center;"> Cedar Lewisohn and Maria Aguero </div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;">Joan Morey's Installation " The Eye of The Beholder "</div><br />
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</div><div class="separator" style="clear: both; text-align: center;">Pablo Leon de la Barra , Alex Carvalho and friend</div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBpqX79al_B7Bj6wLf4r1XpGuu6lavXDrYvaUZF1pqhrCw52ni6vSCKYViFppnBNbUKeRS8X1kYRJIx_ZAwg6ctlk1iUcOfCVvljDSKf2Yd7yy5C57u4GXHyzVZRvq1JfHK8uPTayv7MNQ/s1600/Screen+shot+2011-05-03+at+00.30.00.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBpqX79al_B7Bj6wLf4r1XpGuu6lavXDrYvaUZF1pqhrCw52ni6vSCKYViFppnBNbUKeRS8X1kYRJIx_ZAwg6ctlk1iUcOfCVvljDSKf2Yd7yy5C57u4GXHyzVZRvq1JfHK8uPTayv7MNQ/s320/Screen+shot+2011-05-03+at+00.30.00.png" width="320" /></a></div>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-45179464584484806822011-02-03T14:08:00.000-08:002015-05-02T03:48:18.396-07:00Rojo: Eventos -Apariciones- Proyectos Ultravioleta - Guatemala - January 2011<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZfLkur52a9Ogn8UuKXOer8gj5j-WJPCBq9LQTXykdkPndQDnw4dTJHnwAdX2jfja8feMmsJtPp3z7HbEAZfRyp7pI-i5LvnN2Lm3dIxBS6nZ91MDhrGwhz3m3i0Xlui10lZ-QIgTQcHcz/s1600/Esther+ultravioletainvite.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZfLkur52a9Ogn8UuKXOer8gj5j-WJPCBq9LQTXykdkPndQDnw4dTJHnwAdX2jfja8feMmsJtPp3z7HbEAZfRyp7pI-i5LvnN2Lm3dIxBS6nZ91MDhrGwhz3m3i0Xlui10lZ-QIgTQcHcz/s1600/Esther+ultravioletainvite.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"> </a><br />
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<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZfLkur52a9Ogn8UuKXOer8gj5j-WJPCBq9LQTXykdkPndQDnw4dTJHnwAdX2jfja8feMmsJtPp3z7HbEAZfRyp7pI-i5LvnN2Lm3dIxBS6nZ91MDhrGwhz3m3i0Xlui10lZ-QIgTQcHcz/s1600/Esther+ultravioletainvite.jpg">Installation show at Proyectos Ultravioleta Guatemala </a><br /><br /><br /><br />Proyectos Ultravioleta Enero 2011 Guatemala City , Guatemala<br /><br />http://uvuvuv.com/uv/<br /><br />Eventos y Apariciones en Rojo: An Environment, a Hauntological exercise<br /><br />Rojo International, relating to the International Socialist principles, to reminds us of its ethical and political importance.<br /><br />Found forbidden painted red cubes as walls for political propaganda at the streets in Guatemala City, that re-appear at the space guided by the outside light reflections and shadows.<br /><br />The International Red subject opens channels of memory and convene the spirits of the dead massacred native indians of Guatemala and the rest of América, and reminds us of the political <br />forces that have tried since, to bring justice on such repressive and conflicted grounds.<br /><br />An invocation to these "events" to make themselves present and to "appear" on the gallery space and take over the bodies that circulate in it.. to be possessed and subconsciously reminded of what lies there just above its ground.<br /><br />It relies on the trail of "influence" they generated and establishing a continuation, a route even <br />for re-draw and re-run on a re-location of "their embodiment" in what could suddenly be called <br />re-apparitions on Red or even just as a re-emergence of Red…The Red and the essential geometrical <br />cubic angles of the "concrete structure" coming to life and acting by themselves, choosing to <br />appear or not and provoking the audience with the memory of the Red spectre.<br /><br />To place themselves, to ask to the "medium" to make them visible again.<br /><br />In a primary language and fast free association, the "Red School", the "Red Infection", and the "Red Spectre".<br /><br /><br /><br />EVENTOS Y APARICIONES EN ROJO<br />rojo neoconcreto/rojo es rojo es rojo es rojo/ rojo solo/ rojo esther internacional/<br />grafito rojo/pintura roja/cubo rojo/serigrafía roja/rojo e120/<br />rojo e2162/concepto rojo/polvo rojo/espectro rojo/ invasion roja/ los rojos/</span></div>
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<span style="font-family: Courier New, Courier, monospace;">EVENTOS Y APARICIONES EN ROJO</span><br />
<span style="font-family: Courier New, Courier, monospace;">rojo neoconcreto/rojo es rojo es rojo es rojo/ rojo solo/ rojo esther internacional/</span><br />
<span style="font-family: Courier New, Courier, monospace;">grafito rojo/pintura roja/cubo rojo/serigrafía roja/rojo e120/</span><br />
<span style="font-family: Courier New, Courier, monospace;">rojo e2162/concepto rojo/polvo rojo/</span><br />
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<span style="font-family: Courier New, Courier, monospace;">Coordenadas de color</span><br />
<span style="font-family: Courier New, Courier, monospace;">El rojo es el color correspondiente a la frecuencia más baja de luz discernible por el ojo humano. Es junto con el azul y el amarillo uno de los tres colores primarios. La longitud de onda de la luz roja es de alrededor de 700 nm. Las frecuencias más bajas que el rojo (y, por lo tanto, longitudes de onda más largas) se denominan infrarrojos.</span><br />
<span style="font-family: Courier New, Courier, monospace;">En el esquema RGB, el rojo junto con el verde y el azul son colores primarios de luz. Esto cambia en el esquema CMYK que está basado en pigmentos donde el rojo no es parte de los colores primarios sino el rojo magenta, que junto con el cian y el amarillo están más cerca de los colores primarios sustractivos auténticos que el ojo percibe, y se utilizan en la impresión de color moderna.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Etimológicamemnte en griego rojo se denomina erythrós, por lo que muchas palabras con dicho lexema estén referidas a ese color.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Usos, simbolismo y expresiones coloquiales</span><br />
<span style="font-family: Courier New, Courier, monospace;">El Rojo es el "Color de la pasión". Es el color del corazón, de la sangre, del amor, del calor.</span><br />
<span style="font-family: Courier New, Courier, monospace;">El rojo es también el color de las ciencias exactas y la ingeniería.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Rojo también es un apellido muy común en España como Fran Rojo.</span><br />
<span style="font-family: Courier New, Courier, monospace;">El color rojo se emplea frecuentemente para denotar furia, como en "ojos rojos de ira".</span><br />
<span style="font-family: Courier New, Courier, monospace;">El color de la sangre provocó una asociación del rojo con el dios de la guerra, Marte, y en su honor el planeta rojo se llama Marte.</span><br />
<span style="font-family: Courier New, Courier, monospace;">El rojo se emplea en señales de tránsito: señales de advertencia y prohibición, la señal de ALTO y en los semáforos.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Comúnmente, el rojo es el opuesto y el enemigo del azul. En los videojuegos, especialmente en los juegos multijugador por equipos, la regla es un "Rojo vs. Azul". Esto puede deberse por la base de que fuego (rojo) es incompatible con agua (azul).</span><br />
<span style="font-family: Courier New, Courier, monospace;">A nivel mundial, el rojo representa un "estado peligroso", la bandera roja indica peligro (frente a la bandera verde que tiene el significado contrario, por ejemplo en las playas), el "código rojo" significa emergencia y el "botón rojo" es, culturalmente, una última pero mortal opción.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Desde la revolución francesa el rojo se ha empleado como el color de los revolucionarios y los izquierdistas (rojo político), mientras que el blanco ha sido empleado como el color de los conservadores.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Por ejemplo, en la Guerra Civil de Rusia y en la Guerra Civil de Finlandia se enfrentaron rojos contra blancos. Aunque no siempre sean esos colores, como es el caso de la Guerra civil española, en la que se enfrentaban los rojos contra azules.</span><br />
<span style="font-family: Courier New, Courier, monospace;">La identificación del comunismo con el rojo (siendo el rojo el color principal de la bandera de la Unión Soviética) produjo expresiones durante la Guerra Fría tales como "la amenaza roja", la "China Roja" (en contraposición con la "China Nacionalista", la "China Libre" o Taiwán).</span><br />
<span style="font-family: Courier New, Courier, monospace;">En las infografías electorales, el rojo denota generalmente partidos socialistas o comunistas, y normalmente en oposición con el azul de otros partidos.</span><br />
<span style="font-family: Courier New, Courier, monospace;">En el simbolismo chino, el rojo es el color de la buena suerte y se emplea para decoración. El dinero en las sociedades chinas se ofrece tradicionalmente en paquetes rojos.</span><br />
<span style="font-family: Courier New, Courier, monospace;">También se suele usar para representar, en canalizaciones, que el material que esta siendo canalizado está a una temperatura más alta, en contraposición con el que tiene una temperatura más baja, que se representaría en azul. Por ejemplo tuberías de agua caliente representadas en rojo, o incluso físicamente pintadas de rojo, y las de agua fría en azul.</span><br />
<span style="font-family: Courier New, Courier, monospace;">El rojo también se emplea para indicar deudas, como en la expresión "números rojos". La práctica procede de los contables italianos que usaban tinta roja para indicar las deudas y tinta negra para indicar los haberes.</span><br />
<span style="font-family: Courier New, Courier, monospace;">La sangre oxigenada es roja debido a la presencia de hemoglobina.</span><br />
<span style="font-family: Courier New, Courier, monospace;">En las bolsas occidentales, el rojo indica una bajada del precio de las acciones, mientras que en las bolsas de Asia oriental indica una subida.</span><br />
<span style="font-family: Courier New, Courier, monospace;">En algunos países los taxis son rojos.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Por su llamatividad, en algunos países es considerado incorrecto utilizar la tinta roja para los escritos, salvo cuando se quiera resaltar algo.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Es tambien el color del liderazgo. En los programas estadounidenses de "power rangers", el uniforme rojo es el grado máximo del escuadrón.</span><br />
<span style="font-family: Courier New, Courier, monospace;">En la Iglesia Católica, los Cardenales visten sotana de color rojo escarlata.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Tonos</span><br />
<span style="font-family: Courier New, Courier, monospace;">Para los pintores hay una gran diferencia entre el rojo cadmio y el rojo carmesí, aunque sus matices sean bastante parecidos; el rojo cadmio cubre perfectamente las superficies, mientras que el carmesí queda siempre transparente. La siguiente lista reúne 105 nombres de tonos conocidos.[1]</span><br />
<span style="font-family: Courier New, Courier, monospace;">Anaranjado rojizo</span><br />
<span style="font-family: Courier New, Courier, monospace;">Bermellón</span><br />
<span style="font-family: Courier New, Courier, monospace;">Carmín Encarnado</span><br />
<span style="font-family: Courier New, Courier, monospace;">Encarnado</span><br />
<span style="font-family: Courier New, Courier, monospace;">Escarlata</span><br />
<span style="font-family: Courier New, Courier, monospace;">Frambuesa</span><br />
<span style="font-family: Courier New, Courier, monospace;">Fucsia</span><br />
<span style="font-family: Courier New, Courier, monospace;">Granate</span><br />
<span style="font-family: Courier New, Courier, monospace;">Magenta</span><br />
<span style="font-family: Courier New, Courier, monospace;">Ocre rojo</span><br />
<span style="font-family: Courier New, Courier, monospace;">Rosa</span><br />
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<span style="font-family: Courier New, Courier, monospace;">Púrpura</span><br />
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<span style="font-family: Courier New, Courier, monospace;">granate</span>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com4tag:blogger.com,1999:blog-9131592553084410232.post-75994632411407994032011-02-03T14:00:00.000-08:002015-11-17T13:44:27.304-08:00ROJO BADIOU EVENTO<div style="text-align: center;">
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<span style="font-family: 'courier new', courier, monospace;">Alain Badiou About this sound Pronunciation (help·info) (born 17 January 1937 in Rabat, Morocco) is a French philosopher, professor at European Graduate School, formerly chair of Philosophy at the École Normale Supérieure (ENS).[1] Along with Giorgio Agamben and Slavoj Žižek, Badiou is a prominent figure in an anti-postmodern strand of continental philosophy. Badiou seeks to recover the concepts of being, truth and the subject in a way that, he claims, is neither postmodern nor simply a repetition of modernity. Politically, Badiou is committed to the far left, and to the Marxist tradition.[2]</span></div>
<span style="font-family: "courier new" , "courier" , monospace;">Contents:</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">According to Badiou, philosophy is suspended from four conditions (art, love, politics, and science), each of them fully independent "truth procedures." (For Badiou's notion of truth procedures, see below.) Badiou consistently maintains throughout his work (but most systematically in Manifesto for Philosophy) that philosophy must avoid the temptation to suture itself (that is, to hand over its entire intellectual effort) to any of these independent truth procedures. When philosophy does suture itself to one of its conditions (and Badiou argues that the history of philosophy during the nineteenth and twentieth centuries is primarily a history of sutures), what results is a philosophical "disaster." Consequently, philosophy is, according to Badiou, a thinking of the compossibility of the several truth procedures, whether this is undertaken through the investigation of the intersections between distinct truth procedures (the intersection of art and love in the novel, for instance), or whether this is undertaken through the more traditionally philosophical work of addressing categories like truth or the subject (concepts that are, as concepts, external to the individual truth procedures, though they are functionally operative in the truth procedures themselves). For Badiou, when philosophy addresses the four truth procedures in a genuinely philosophical manner, rather than through a suturing abandonment of philosophy as such, it speaks of them with a theoretical terminology that marks its philosophical character: inaesthetics rather than art; metapolitics rather than politics; ontology rather than science; etc.).</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">Truth, for Badiou, is a specifically philosophical category. While philosophy's several conditions are, on their own terms, "truth procedures" (i.e., they produce truths as they are pursued), it is only philosophy that can speak of the several truth procedures as truth procedures. (The lover, for instance, does not think of her love as a question of truth, but simply and rightly as a question of love. Only the philosopher sees in the true lover's love the unfolding of a truth.) Badiou has a very rigorous notion of truth, one that is strongly against the grain of much of contemporary European thought. Badiou at once embraces the traditional modernist notion that truths are genuinely invariant (always and everywhere the case, eternal and unchanging) and the incisively postmodernist notion that truths are constructed through processes. Badiou's theory of truth, exposited throughout his work, accomplishes this strange mixture by uncoupling invariance and self-evidence (such that invariance does not imply self-evidence), as well as by uncoupling constructedness from relativity (such that constructedness does not lead to relativism).</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">The idea, here, is that a truth's invariance makes it genuinely indiscernible: because a truth is everywhere and always the case, it passes unnoticed unless there is a rupture in the laws of being and appearance, during which the truth in question becomes, but only for a passing moment, discernible. Such a rupture is what Badiou calls an event, according to a theory originally worked out in Being and Event and fleshed out in important ways in Logics of Worlds. The subject who chances to witness such an event, if she is faithful to what she has glimpsed, can then introduce the truth by naming it into worldly situations. According to a process or procedure that subsequently unfolds only if those who subject themselves to the glimpsed truth continue faithful in the work of announcing the truth in question, genuine knowledge is produced (knowledge often appears in Badiou's work under the title of the "veridical"). While such knowledge is produced in the process of being faithful to a truth event, it should be noted that, for Badiou, knowledge, in the figure of the encyclopedia, always remains fragile, subject to what may yet be produced as faithful subjects of the event produce further knowledge. According to Badiou, truth procedures proceed to infinity, such that faith (fidelity) outstrips knowledge. (Badiou, following both Lacan and Heidegger, distances truth from knowledge.)</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">[edit] Inaesthetic</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">In Handbook of Inaesthetics Badiou coins the phrase "inaesthetic" to refer to a concept of artistic creation that denies "the reflection/object relation". Reacting against the idea of mimesis, or poetic reflection of "nature", Badiou claims that art is "immanent" and "singular". It is immanent in the sense that its truth is given in its immediacy in a given work of art, and singular in that its truth is found in art and art alone. His view of the link between philosophy and art is tied into the motif of pedagogy, which he claims functions so as to "arrange the forms of knowledge in a way that some truth may come to pierce a hole in them". He develops these ideas with examples from the prose of Samuel Beckett and the poetry of Stéphane Mallarmé and Fernando Pessoa (who he argues has developed a body of work that philosophy is currently incapable of incorporating), among others.</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">[edit] Introduction to Being and Event</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">Drawing from 8 March 2006 "Art's Imperative" lecture</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">The major propositions of Badiou's philosophy all find their basis in Being and Event, in which he continues his attempt (which he began in Théorie du sujet) to reconcile a notion of the subject with ontology, and in particular post-structuralist and constructivist ontologies.[9] A frequent criticism of post-structuralist work is that it prohibits, through its fixation on semiotics and language, any notion of a subject. Badiou's work is, by his own admission,[10] an attempt to break out of contemporary philosophy's fixation upon language, which he sees almost as a straitjacket. This effort leads him, in Being and Event, to combine rigorous mathematical formulae with his readings of poets such as Mallarmé and Hölderlin and religious thinkers such as Pascal. His philosophy draws upon both 'analytical' and 'continental' traditions. In Badiou's own opinion, this combination places him awkwardly relative to his contemporaries, meaning that his work had been only slowly taken up.[11] Being and Event offers an example of this slow uptake, in fact: it was translated into English only in 2005, a full seventeen years after its French publication.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">As is implied in the title of the book, two elements mark the thesis of Being and Event: the place of ontology, or 'the science of being qua being' (being in itself), and the place of the event — which is seen as a rupture in being — through which the subject finds realization and reconciliation with truth. This situation of being and the rupture which characterizes the event are thought in terms of set theory, and specifically Zermelo–Fraenkel set theory (with the axiom of choice), to which Badiou accords a fundamental role in a manner quite distinct from the majority of either mathematicians or philosophers.</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">[edit] Mathematics as ontology</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">Mathematics portal</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">For Badiou the problem which the Greek tradition of philosophy has faced and never satisfactorily dealt with is the problem that while beings themselves are plural, and thought in terms of multiplicity, being itself is thought to be singular; that is, it is thought in terms of the one. He proposes as the solution to this impasse the following declaration: that the one is not. This is why Badiou accords set theory (the axioms of which he refers to as the Ideas of the multiple) such stature, and refers to mathematics as the very place of ontology: Only set theory allows one to conceive a 'pure doctrine of the multiple'. Set theory does not operate in terms of definite individual elements in groupings but only functions insofar as what belongs to a set is of the same relation as that set (that is, another set too). What separates sets out therefore is not an existential positive proposition, but other multiples whose properties validate its presentation; which is to say their structural relation. The structure of being thus secures the regime of the count-as-one. So if one is to think of a set — for instance, the set of people, or humanity — as counting as one the elements which belong to that set, it can then secure the multiple (the multiplicities of humans) as one consistent concept (humanity), but only in terms of what does not belong to that set. What is, in following, crucial for Badiou is that the structural form of the count-as-one, which makes multiplicities thinkable, implies that the proper name of being does not belong to an element as such (an original 'one'), but rather the void set (written Ø), the set to which nothing (not even the void set itself) belongs. It may help to understand the concept 'count-as-one' if it is associated with the concept of 'terming': a multiple is not one, but it is referred to with 'multiple': one word. To count a set as one is to mention that set. How the being of terms such as 'multiple' does not contradict the non-being of the one can be understood by considering the multiple nature of terminology: for there to be a term without there also being a system of terminology, within which the difference between terms gives context and meaning to any one term, does not coincide with what is understood by 'terminology', which is precisely difference (thus multiplicity) conditioning meaning. Since the idea of conceiving of a term without meaning does not compute, the count-as-one is a structural effect or a situational operation and not an event of truth. Multiples which are 'composed' or 'consistent' are count-effects; inconsistent multiplicity is the presentation of presentation.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">Badiou's use of set theory in this manner is not just illustrative or heuristic. Badiou uses the axioms of Zermelo–Fraenkel set theory to identify the relationship of being to history, Nature, the State, and God. Most significantly this use means that (as with set theory) there is a strict prohibition on self-belonging; a set cannot contain or belong to itself. Russell's paradox famously ruled that possibility out of formal logic. (This paradox can be thought through in terms of a 'list of lists that do not contain themselves': if such a list does not write itself on the list the property is incomplete, as there will be one missing; if it does, it is no longer a list that does not contain itself.) So too does the axiom of foundation — or to give an alternative name the axiom of regularity — enact such a prohibition (cf. p. 190 in Being and Event). (This axiom states that all sets contain an element for which only the void [empty] set names what is common to both the set and its element.) Badiou's philosophy draws two major implications from this prohibition. Firstly, it secures the inexistence of the 'one': there cannot be a grand overarching set, and thus it is fallacious to conceive of a grand cosmos, a whole Nature, or a Being of God. Badiou is therefore — against Cantor, from whom he draws heavily — staunchly atheist. However, secondly, this prohibition prompts him to introduce the event. Because, according to Badiou, the axiom of foundation 'founds' all sets in the void, it ties all being to the historico-social situation of the multiplicities of de-centred sets — thereby effacing the positivity of subjective action, or an entirely 'new' occurrence. And whilst this is acceptable ontologically, it is unacceptable, Badiou holds, philosophically. Set theory mathematics has consequently 'pragmatically abandoned' an area which philosophy cannot. And so, Badiou argues, there is therefore only one possibility remaining: that ontology can say nothing about the event.</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">[edit] The event and the subject</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">Drawing from 18 November 2006 "Truth procedure in politics" lecture</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">The principle of the event is where Badiou diverges from the majority of late twentieth century philosophy and social thought, and in particular the likes of Foucault, Butler, Lacan and Deleuze, among others. In short, it represents that which is outside of ontology. Badiou's problem here is, unsurprisingly, the question of how to 'make use' of that which cannot be discerned. But it is a problem he views as vital, because if one constructs the world only from that which can be discerned and therefore given a name, it results in either the destitution of subjectivity and the removal of the subject from ontology (the criticism continually leveled at Foucault's discursive universe), or the Panglossian solution of Leibniz: that God is language in its supposed completion.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">Badiou again turns here to mathematics and set theory — Badiou's language of ontology — to study the possibility of an indiscernible element existing extrinsically to the situation of ontology. He employs the strategy of the mathematician Paul J. Cohen, using what are called the conditions of sets. These conditions are thought of in terms of domination, a domination being that which defines a set. (If one takes, in binary language, the set with the condition 'items marked only with ones', any item marked with zero negates the property of the set. The condition which has only ones is thus dominated by any condition which has zeros in it [cf. p. 367-71 in Being and Event].) Badiou reasons using these conditions that every discernible (nameable or constructible) set is dominated by the conditions which don't possess the property that makes it discernible as a set. (The property 'one' is always dominated by 'not one'.) These sets are, in line with constructible ontology, relative to one's being-in-the-world and one's being in language (where sets and concepts, such as the concept 'humanity', get their names). However, he continues, the dominations themselves are, whilst being relative concepts, not necessarily intrinsic to language and constructible thought; rather one can axiomatically define a domination — in the terms of mathematical ontology — as a set of conditions such that any condition outside the domination is dominated by at least one term inside the domination. One does not necessarily need to refer to constructible language to conceive of a 'set of dominations', which he refers to as the indiscernible set, or the generic set. It is therefore, he continues, possible to think beyond the strictures of the relativistic constructible universe of language, by a process Cohen calls forcing. And he concludes in following that while ontology can mark out a space for an inhabitant of the constructible situation to decide upon the indiscernible, it falls to the subject — about which the ontological situation cannot comment — to nominate this indiscernible, this generic point; and thus nominate, and give name to, the undecidable event. Badiou thereby marks out a philosophy by which to refute the apparent relativism or apoliticism in post-structuralist thought.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">Badiou's ultimate ethical maxim is therefore one of: 'decide upon the undecidable'. It is to name the indiscernible, the generic set, and thus name the event that re-casts ontology in a new light. He identifies four domains in which a subject (who, it is important to note, becomes a subject through this process) can potentially witness an event: love, science, politics and art. By enacting fidelity to the event within these four domains one performs a 'generic procedure', which in its undecidability is necessarily experimental, and one potentially recasts the situation in which being takes place. Through this maintenance of fidelity, truth has the potentiality to emerge.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">In line with his concept of the event, Badiou maintains, politics is not about politicians, but activism based on the present situation and the evental [sic] (his translators' neologism) rupture. So too does love have this characteristic of becoming anew. Even in science the guesswork that marks the event is prominent. He vigorously rejects the tag of 'decisionist' (the idea that once something is decided it 'becomes true'), but rather argues that the recasting of a truth comes prior to its veracity or verifiability. As he says of Galileo (p. 401):</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">When Galileo announced the principle of inertia, he was still separated from the truth of the new physics by all the chance encounters that are named in subjects such as Descartes or Newton. How could he, with the names he fabricated and displaced (because they were at hand — ‘movement’, ‘equal proportion’, etc.), have supposed the veracity of his principle for the situation to-come that was the establishment of modern science; that is, the supplementation of his situation with the indiscernible and unfinishable part that one has to name ‘rational physics’?</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">Badiou, whilst keen to stress the non-equivalence between politics and philosophy, thus finds his political approach — one of activism, militancy, and scepticism of parliamentary-democratic process — backed up by his philosophy based around singular, situated truths, and potential revolutions.</span><br />
<span style="font-family: "courier new" , "courier" , monospace;">[edit] L'Organisation Politique</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">Alain Badiou is a founding member (along with Natacha Michel and Sylvain Lazarus) of the militant French political organisation L'Organisation Politique[12] which calls itself a post-party organization concerned with direct popular intervention in a wide range of issues (including immigration, labor, and housing). In addition to numerous writings and interventions since the 1980s, L'Organisation Politique has stressed the importance of developing political prescriptions concerning undocumented migrants (les sans papiers) and stresses that they must be conceived primarily as workers and not immigrants.[13]</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp_B12RCRQH0J1IFg9TPGol9ckvDUYqWNyrz8sUpYxcg-rVvLLnZSKWnRvKv6rj6qJlYLfcf9vm4MNhZQPvhm1APfNIicU99v8Hb_KLk__EfbvQ-NfQ1X5s03MunDEH4xRahZvZ2lxYiiT/s1600/DSCN4075.JPG"><img alt="" border="0" height="320" id="BLOGGER_PHOTO_ID_5569597326466275282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp_B12RCRQH0J1IFg9TPGol9ckvDUYqWNyrz8sUpYxcg-rVvLLnZSKWnRvKv6rj6qJlYLfcf9vm4MNhZQPvhm1APfNIicU99v8Hb_KLk__EfbvQ-NfQ1X5s03MunDEH4xRahZvZ2lxYiiT/s320/DSCN4075.JPG" style="display: block; margin: 0px auto 10px; text-align: center;" width="240" /></a>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-1276621935362307732011-02-01T10:14:00.001-08:002013-04-23T03:07:00.617-07:00APARICIONES Y EVENTOS EN ROJO<span style="font-family: Courier New, Courier, monospace;">UN TEXTO SOBRE LOS ENCUENTROS ROJOS DEL TERCER TIPO</span><br />
<span style="font-family: Courier New, Courier, monospace;">A TEXT ABOUT THE CLOSER RED ENCOUNTERS OF THE THIRD KIND</span><br />
<span style="font-family: Courier New, Courier, monospace;">by : Alejandro Marre Guatemala 12 February 2011</span><br />
<span style="font-family: Courier New, Courier, monospace;">Como suelen ser o pensarse, los encuentros cercanos del tercer tipo, suponen una ruptura de la cotidianidad o de las situaciones consideradas “normales” en la cronología de la vida. Un encuentro casual que no tiene casualidad, pero que se comprende como tal dentro de un contexto creativo.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Esther descendió del avión en el aeropuerto La Aurora, en ciudad de Guatemala. Sin conocer muy bien su destino y cargada de equipaje e ideas. El motivo, una muestra personal en el espacio de Proyectos Ultravioleta. En su estancia ¿por que no? brindar un taller sobre el concepto de situasionismo.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Los elementos de un encuentro cercano del tercer tipo, pueden o podrían generar choques energéticos y fricción especial, un estimulante natural para la creación de ideas, intercambio de pensamientos, dudas, experiencias. Los seres encontrados en “econtrantes”, inventan palabras, fórmulas y códigos secretos, preparan brebajes especiales para darse la bienvenida, para pasar el rato y también para despedirse, en el momento que el encuentro cercano del tercer tipo concluya.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Esther llegó, cantó, y platicó sobre los temas que ama. Sobre las ideas y referentes a los que admira, y compartió en varias sesiones, sus experiencias como artista. El resto del grupo: Stephan, Byron, Kiki , Hugo, Sofia, Pablo y Alejandro, permanecían atentos y celebraban las bromas de Esther, al ritmo de la michelada (brebaje mágico y símbolo de los encuentros cercanos del tercer tipo).</span><br />
<span style="font-family: Courier New, Courier, monospace;">La Internacional Situasionista llegó a la Little rambla de la sexta avenida del centro histórico guatemalteco y tomó posesión temporal del espacio y de sus ojos cotidianos, capturando momentos, espacios arquitectónicos, situaciones e ideas. De bar en bar, parques, el teatro nacional y el baño del café Europa (a un costado de UV) fueron los aeropuertos hacia las dimensiones más bizarras y maravillosas del taller de Esther.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Dudas, por supueto, aunque preferimos llamarlas: inquietudes. Ese agujero de hormigas que fue puesto en acción con los nuevos conceptos, hizo un estallido de movimientos y personalidades a punto de hervor, en un plano creativo. Esther, relajada y risueña, contestaba a cada pregunta con una cátedra en donde los manifiestos, las ideas, los autores y las obras, salían a recorrer junto al grupo ese universo de la Little rambla.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Los encuentros cercanos ocurren pocas veces en la vida, pueden contarse con los dedos de la mano izquierda (por codificación situasionista), aunque por la naturaleza caótica del universo ocurren a cada segundo, pero en diferente dimensión y en diferentes tiempos. Algunas personas prefieren esperarlas, otras siguen el curso de sus vidas como si una brisa les hubiese tocado el rostro.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Llegó a la acción: caminatas vespertinas con buen clima, disfrazados de turistas o de diplomáticos urbanos, los integrantes “encontrados” en estos encuentros cercanos del tercer tipo, iban y venían en la búsqueda de una idea, de una estética y de un producto para sumarle a la experiencia grupal. Todos estos aportes, han quedado documentados por lentes de varios de los integrantes.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Los encuentros suceden, germinan y concluyen. Aunque quedan guardados en las mentes de los participantes. El desencuentro es parte del momento. Los espectadores no tienen una idea clara de lo que ha sucedido en el grupo y acuden a sus productos con el ánimo de atisbar cierta especie de razonamiento al respecto.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Esther montó el evento “Rojo” ante un grupo de asistentes locales. Los “otros”, los de los encuentros cercanos, navegaban de forma undercover, mientras se rolaba un fanzine-artefacto con la documentación del encuentro. La complicidad flotaba en el ambiente, como un puñado de niños que hicieron alguna travesura.</span><br />
<span style="font-family: Courier New, Courier, monospace;">El desencuentro supone además la nostalgia de los encuentros pasados. El desencuentro es parte del proceso del encuentro, porque afina los sentidos hacia los futuros encuentros, hacia la gracia de los pasados y hacia una formalidad de captura en el momento presente.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Esther comió la última pizza y la última michelada en el Bar Central (embajada española underground). Mientras conversaba sobre las dictaduras y sobre Bretón, a cinco metros un hombre volaba por los aires tras el impulso de un auto deportivo, llegó la policía, los bomberos y los voyeristas.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Y los encuentros nos encontraron.</span><br />
<span style="font-family: Courier New, Courier, monospace;">Esther llegó a Londres y nosotros nos diseminamos en Guatemala, la Little rambla quedó un tanto desencajada, un poco desapercibida, un poco adormecida.</span><br />
<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<span style="font-family: Courier New, Courier, monospace;">Alejandro Marre Guatemala 2011</span>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-64232314527504627192011-01-23T15:43:00.000-08:002012-01-20T16:56:49.922-08:00ENCUENTROS DEL TERCER TIPO EN ULTRAVIOLETA: EL WORKSHOP/LOS EVENTOS/AND THE REST....<div class="separator" style="clear: both; text-align: center;"></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-SN_hBlqsaiZXYHkoo6t5Y6FfCsz-2K-aC1W2MUHXwLP-6_wpg6xhV8sPxI_5CDcxrd_aF34lq39jFGSrlx5oLTftR5N3JPUATJc9qKCzmck2K-wzFFQMdiOHZbj0sDahPSUrBNR7jrpP/s1600/ArcoIris.jpg"><img alt="" border="0" height="640" id="BLOGGER_PHOTO_ID_5570332649888253474" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-SN_hBlqsaiZXYHkoo6t5Y6FfCsz-2K-aC1W2MUHXwLP-6_wpg6xhV8sPxI_5CDcxrd_aF34lq39jFGSrlx5oLTftR5N3JPUATJc9qKCzmck2K-wzFFQMdiOHZbj0sDahPSUrBNR7jrpP/s640/ArcoIris.jpg" style="display: block; margin: 0px auto 10px; text-align: center;" width="480" /></a><br />
A rainbow at Ultravioleta<br />
pic by Zio Estrada<br />
<br />
LOS ENCUENTROS PARTICIPANTS:<br />
<br />
Byron Marmol <br />
Hugo Quintoc<br />
Sofi Novella<br />
Pablo Aragon <br />
Alejandro Marre <br />
Claudia Lorente<br />
Jakob Kattner <br />
Stefan Benchoam <br />
Zio Estrada <br />
<br />
DAY ONE:<br />
The Starting points<br />
<br />
Basically we walked and talk and the issue was all about perception and how once<br />
we switch our minds on to an open zone of understanding what's around us we can<br />
" see" or "experience" something unexpected.<br />
Very important for me to pass the info to all the group about the basics of my<br />
"method" which is an anti-method any way and which is based on exercices about<br />
awareness and perception and not about me passing on to them any sort of "orthodoxia"<br />
or known theories about any sort of cultural or artistic issues of the times.<br />
As well I did give a sort of very rutinary intro to some of the International Situationist philosophy and ways of seeing .......<br />
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DAY TWO:<br />
The Michelada making<br />
<br />
To make a Michelada was an idea that came easy between the group , it was a Red drink, and connected to the idea of my show, and had thematical links about the idea of how as a drink , the Michelada could be considered a revolutionary,rebel one , even if this was just then, on the spot, that this idea was taking form.<br />
To make a drink that is so much part of the drinks that Centro America consumes was<br />
a way of just doing something very simple but that mean that appart of getting quite<br />
high on it we would found our selves experiencing our walks and conversations in a very<br />
fresh manner and as much as possible away from any notion of orthodoxia.<br />
Michelada making by : Alejandro Marre, Sofi Novella and Stefan Benchoam<br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtP9aDOqcJpWMG_vMiUfjkm2IUWq4tV5x1fTrF0iraLGAFLHu6vFp_-JPsuRN7zGtUeCozT156pfgp35KHTIE2k1XYVZqQ0w4-RPyDvAgpRGEGrNMM3_apyHKcoQlf7uKSgCPuS7ciaLQT/s1600/DSCN3869.JPG" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5570280864030892962" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtP9aDOqcJpWMG_vMiUfjkm2IUWq4tV5x1fTrF0iraLGAFLHu6vFp_-JPsuRN7zGtUeCozT156pfgp35KHTIE2k1XYVZqQ0w4-RPyDvAgpRGEGrNMM3_apyHKcoQlf7uKSgCPuS7ciaLQT/s400/DSCN3869.JPG" style="display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><br />
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</div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmOUgu8xW9GkYx_8_eWQorRTVRCwsGP-WpruQwrmEKM_CX_BKdguROwvNVAUPQxl2rzH0klMtKxZ0y4u-IMpRHfXTrWNPBg9p97wX4MZHPWTS2wWzbufWAgvA-QjVK9PYLSXVza8AsY8q3/s1600/DSCN3875.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5570278711800482274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmOUgu8xW9GkYx_8_eWQorRTVRCwsGP-WpruQwrmEKM_CX_BKdguROwvNVAUPQxl2rzH0klMtKxZ0y4u-IMpRHfXTrWNPBg9p97wX4MZHPWTS2wWzbufWAgvA-QjVK9PYLSXVza8AsY8q3/s400/DSCN3875.JPG" style="cursor: hand; cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><br />
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</div><div style="text-align: center;">PORTABLE BENCH/CHAIR/DRINKS CASE by: Stefan Benchoam</div><div style="text-align: -webkit-auto;"><br />
</div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKO3KhZRdr9vhYzDF1LIq3RCn-8cqxE_x4uw_-X2nlzft0veBNX25yGNFGD3uv8XIQXCSHfUKmaGzfLzc0fRgKSVCVmSEsYl0XFkklHVlRIz6j1aXO3STZMK6iJoE3ta98DGN6dAAM7puH/s1600/DSCN3895.JPG"><img alt="" border="0" height="480" id="BLOGGER_PHOTO_ID_5570271864531123154" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKO3KhZRdr9vhYzDF1LIq3RCn-8cqxE_x4uw_-X2nlzft0veBNX25yGNFGD3uv8XIQXCSHfUKmaGzfLzc0fRgKSVCVmSEsYl0XFkklHVlRIz6j1aXO3STZMK6iJoE3ta98DGN6dAAM7puH/s640/DSCN3895.JPG" style="display: block; margin: 0px auto 10px; text-align: center;" width="640" /></a>DAY THREE:<br />
<br />
THE WALKS AROUND THE TEATRO NACIONAL DE GUATEMALA<br />
<br />
If we think about the iconography of the film " Closer Encounters of the Third Kind",<br />
which is the title and the concept that isnpired this workshop, then is not strange to see why there is a connection between this amazing building and the whole architectural<br />
project around it, with the "shape" of the mountain and location for the closer encounters passed by telepathy to the protagonist by the UFO that just had fly<br />
over his/her heads...<br />
The idea in this case was to realize that a experience around this building , as with<br />
any one, the case given, will be a way to extract iconography on one way or another<br />
all related with "the object" and its sorroundings .<br />
A very similar procedure to that of constructing a "logo" but with a totally different<br />
means, having to do more with just "the journey" of the practice about the extraction<br />
of images and work and less about "the results" as if had to be qualifying for a special and specific standart about art making....<br />
<br />
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<br />
Efrain Recinos Teatro Nacional Joya<br />
Cheverista<br />
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THE ZINE : LOS NITIDOS INVISIBLES<br />
The zine was an exercice about how material can mutate and be transformed<br />
depending of the media is used, in this case photocopy and pasted bits and pics...<br />
<br />
UN GRUPO DE GENTE SE ENCUENTRA :<br />
Despues de unos dias de paseos/derivas, se obtienen<br />
unos iconos ( fotos, dibujos, notas etc )se les denomina<br />
iconos por que de alguna manera se puede entender que de<br />
esos elementos se puede extraer y formar lo iconico, pero<br />
no en el sentido de iconico como algo especial y unico ( religioso/adorado),<br />
sino como algo que luego se podra reducir, esquematizar y formalizar<br />
como forma y contenido, como parte visual de un discurso propio.<br />
Cada uno encontrandose con sus señales, con sus temas, con sus notas...<br />
Como ultimo ejercicio de formalizacion , el Fanzine, el cut and paste,<br />
la fotocopia etc , es simple pero da pistas de como ir conduciendo y<br />
plasmando lo " encontrado ".<br />
Ademas, objetivo del encuentro, crear una identidad de grupo y de como<br />
ese grupo y su paso por el tiempo se hace a si mismo "Historico".<br />
Despues de varias propuestas se elige LOS NITIDOS INVISIBLES,como<br />
nombre del grupo, acordarndo que ese es el tipo de definicion, que resume<br />
en un "statement" linguistico, el humor de esas vivencias y su dinamica..<br />
siendo tambien este significado parte de lo "hallado " en el "azar" que fue<br />
la base y la estructura de esos encuentros.<br />
Los encuentros del tercer tipo sugieren una capacidad de coincidencia en el tiempo y el espacio. Lo que pueda generarse durante ciertos encuentros entre ciertas personas tomará una forma única y dejará paso a diálogos, eventos y experiencias. Surgirán y se desplazarán ideas, nombres y definiciones, práctica y teoría. Y la posibilidad de formalización de esas experiencias en planos virtuales como la creación de una página en Wikipedia sobre "los encuentros y los encontrados" a la vez que el transcurrir se irá desvelando en "formas" y "rastros". Todo material es posible, toda efemeridad es necesaria.<br />
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<div class="separator" style="clear: both; text-align: center;"></div>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-9131592553084410232.post-21283664094574979092011-01-14T08:43:00.000-08:002014-04-21T04:57:09.242-07:00The BCN Psychotropic Workshops December 2010 Barcelona//// Close Ups////<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV-zZzqPGPZSE3-nQaPygPcaLjlHpUVPSTeD1bkE5_dDGc_K0VXSqKZeNZWGgqz7x1FsB1Ya4imTsgy_5gsAypkAU4TqeTH6EMwokOiWmQ0hZGfUf_wrQBNigkPwOQohgDNeXGRiXd3MH-/s1600/astroboi-3049.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV-zZzqPGPZSE3-nQaPygPcaLjlHpUVPSTeD1bkE5_dDGc_K0VXSqKZeNZWGgqz7x1FsB1Ya4imTsgy_5gsAypkAU4TqeTH6EMwokOiWmQ0hZGfUf_wrQBNigkPwOQohgDNeXGRiXd3MH-/s640/astroboi-3049.jpg" height="426" id="BLOGGER_PHOTO_ID_5562103588166027762" style="display: block; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center;" width="640" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia0-Tp3E4ycBP3YLgo60h34fXp4W7e0KfaiO15uLkQqnlYQsyA7G-kHx8D0PONzQDOs0W6cEmJr-E5KcTHlppUt-8b4HzJAhRqgNNNjH5HNDqoJ8UNIk6uakEqXcdeoLi8xZ61BaF_nZjx/s1600/tape1+copy.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia0-Tp3E4ycBP3YLgo60h34fXp4W7e0KfaiO15uLkQqnlYQsyA7G-kHx8D0PONzQDOs0W6cEmJr-E5KcTHlppUt-8b4HzJAhRqgNNNjH5HNDqoJ8UNIk6uakEqXcdeoLi8xZ61BaF_nZjx/s640/tape1+copy.jpg" height="451" id="BLOGGER_PHOTO_ID_5562101115034372594" style="display: block; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center;" width="640" /></a>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com4